Cherry Beat - Recording Sessions (Part Sixteen - The Band's Post Reunion Live Concert Tour)

February 2000
The band had released their first  since the group's breakup and their first reunion starting in late 1998. Their thirteenth studio album Paintball Arena was a surprise topping success. Peter McDonald, Sam Whitby, Devon O'Connell, and new member Milford Ekdahl were satisfied with the results the album met. But there was something else the band met as well.

Torquil Dohrn, the band's original ist who had refused to take any further part in anything that was associated with the band's name from 1982 until now, was impressed with the band's thirteenth album. He admitted that he was sorry to have not been a part of the album's creation, and he credited it for driving him out of resignation to rejoin the group.

Of course Torquil wouldn't have been able to rejoin the group if the band members weren't willing to allow him to rejoin. But of course, the band had never been the same without Torquil's involvement, and Peter, Sam, and Devon had missed Torquil dearly, and were happy to be given the chance to get their lead guitarist back.

With Torquil back as the band's lead guitarist, Sam regained his role as the band's ist, while Milford continued his role as the band's, although he would continue to play on occasions when necessary.

26th February 2000
With Torquil Dohrn back as the band's lead guitarist for the first time in 18 years, the five band members held their first recording session to practise for their upcoming live concert tour, although this session was really a studio warm up, as none of the songs recorded on this day where intended to be played at the.

They recorded s of three compositions on this day, all of which were originally recorded in 1999 by Paul McCartney for his studio album . , , and '', all of which were chosen by Peter for the band to record as a warm up.

Paul McCartney had had a lifelong influence on Peter McDonald since the beginning of. Both were, had similar voices, similar tastes in music, and even similar looks. But it was mostly that they were both influenced by that made them both similar to one another.

28th February 2000
Peter McDonald and Devon O'Connell record  for 'Try Not to Cry' on this day. Sam Whitby recorded a overdub for 'Run Devil Run', while Torquil Dohrn recorded an  overdub for 'What It Is'.

5th May 2000
The band recorded another cover on this day. This time, a cover of a song ''. Sam Whitby chose to get the band to record a cover version of the song, because he wanted another chance at hearing himself recapture the vocal style of. It would be the first time Sam had attempted to imitate the style since the band had recorded his own compositions 'Fiery Fossil' and 'Savant Supreme' in 1981.

It would be a tad harder though since Sam was roughly 19 years older than when he and the band had recorded 'Fiery Fossil' and 'Savant Supreme', so Sam's would have a harder time trying to reach the high notes that Roger had reached back in 1979. 's own cover of the song was more than a minute longer than Supertramp's original recording, owing to the first four verses being repeated.

9th May 2000
Sam Whitby and Torquil Dohrn respectively record  and   overdubs for 'Breakfast in America' on this day. One more session of overdubbing would be necessary to complete the recording.

12th May 2000
Torquil Dohrn and session musician Ivory Scanlon respectively record and  overdubs for 'Breakfast in America' on this day. The recording was now completed.

22nd November 2000
The first big night for the band members of. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in. They would play a total of 9 songs on their own without any participation from s.

23rd November 2000
The second big night for the band members of. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 9 songs on their own without any participation from session musicians. Four tracks from their recent album Paintball Arena would be played along with 5 tracks from earlier albums.

24th November 2000
The third big night for the band members of. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 9 songs on their own without any participation from session musicians.

25th November 2000
The fourth and final big night for the band members of. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 9 songs on their own without any participation from session musicians.

5th January 2001
Album Release — Live in New York City

15th January 2001
Milford Ekdahl brought his friend Wilbur Milardo over to the Moonlight Bay Studio on this day, and suggested to the other band members of that they let him join as an additional keyboardist and percussionist. The band wasn't sure how long they could go without splintering again, like they did back in the early 1980's.

Knowing that a spare member would be beneficial, should any of the traditional members choose to leave the band, the others agreed to let Wilbur Milardo join. Of course, they did give Wilbur a trial run to see if he would be a suitable addition to the band.

25th May 2001
Peter McDonald and his wife Elodia McDonald record a duet cover of '' / ' (I Want You Back)' [Medley] which itself was a duet by Paul and. For 'Bip Bop' Elodia provided and, while she provided  for 'Hey Diddle'.

28th July 2001
The band recorded for what would become a cover of the traditional - song ''. This would be the first recording to feature Wilbur Milardo as a band member.

6th August 2001
Album Release — Ultimate Singles Collection

A new was released on this day. It collected all the and  of all the  released by. It is officially a greatest hits album, though in true sense, it is a.

While the instrumentation on all the mixes on this album are identical to those found on the singles, most of the mixes found on this album have the and s placed in the middle of the, to give the album a more modernised sound and feel.

'Rainballs', 'Rights from Wrongs', and 'Moolah Mogul' are presented in their original mixes that were released on their respective singles, because the vocals and/or instruments frequently switched between channels, so remixing them would spoil the experimental feel of those three tracks.

The remixes of 'Mary-Anne', 'Diamonds and Cherries', 'Takin' a Ride for Money', 'Her', 'Nancy', 'Brown Haired Gorgeous Girl', and 'Charlotte Wood' are based on their single counterparts, so they don't feature the found on their counterparts that were released on 's Merry Christmas album.

'Moolah Mogul' is presented in its 1981 stereo single mix, without the harmony and backing vocals found on its counterpart that was released on the band's album 'X-Rayed'.

19th August 2001
Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Wilbur Milardo respectively record, , , , and  overdubs to 'Yankee Doodle' on this day.

25th August 2001
Torquil Dohrn and Milford Ekdahl respectively record B♭ clarinet and cymbal overdubs for 'Yankee Doodle' at Oxford Studios on this day. Later on that day, a group of session musicians would record overdubs at the Faringdon Golf Course, since felt the inside air was not suitable to record overdubs of a 'marching band'.

Randolph Canchola, Alexis Hinnant, and Corinne Roca played s, Michaele Palafox played the, Eusebio Fenlon and Ivory Scanlon played tubas, Gaylord Whelpley played the B♭ trumpet, Floyd Backley and Donny Warburton played s, Ty Pattillo played the , Wilburn Charboneau and Teodoro Orterga played tenor trombones, and Kayla Haycock played the.