Cherry Beat - Recording Sessions (Part Twenty - Post-Reunion Album Releases)

October 2009
Although group activity of was largely on hiatus at this point, they did record a  or two during this period, as well as record  for a remix of an old recording of a song they'd covered in 1971.

But aside from that, this period focussed mainly on reissuing a few of their with previously unreleased mixes of songs, and releasing a  or two.

31st October 2009
Although band activity was largely on hiatus at this point, the band members of would record a cover of the 50's  song '' by.

recorded the song after realising that they'd never recorded their own version of the song even though they really wanted to. 's cover featured Sam Whitby on lead vocals, although the band had tried recording it with Peter McDonald handling the lead vocal.

13th November 2009
Torquil Dohrn and Wilbur Milardo respectively record and  overdubs for their cover of 'Ain't That a Shame' on this day. Torquil would perfect and record the and  overdubs the following day.

Surprisingly though their cover of 's song '' had already been recorded in 1971 and released on their rock and roll album comprised of their 1971 rock and roll covers in 1988, Torquil recorded baritone and tenor saxophone overdubs for the song on this day, hoping to model a new updated mix of the song.

14th November 2009
Torquil Dohrn records baritone and tenor saxophone overdubs for the band's cover of 'Ain't That a Shame' on this day. Torquil found it a bit of a challenge to record the baritone saxophone overdub since he only occasionally played the baritone saxophone, and was far more experienced with the tenor and to a greater extent the alto saxophone.

Torquil also recorded baritone and tenor saxophone overdubs for the band's song 'Bop Bop Shuop' even though it was recorded in 1976 and released as a bonus track on their 1976 studio album Neapolitan in 1994. As with the band's rock and roll cover of 'Don't Do It', Torquil wanted to model a new updated mix of the song.

15th November 2009
Surprisingly though their rock and roll cover of ' song '' had already been recorded in 1971 and released on their rock and roll album comprised of their 1971 rock and roll covers in 1988, Torquil recorded a tenor saxophone overdub for the song on this day, hoping to model a new updated mix of the song.

The baritone saxophone overdub recorded for 'Don't Do It' on the 13th November 2009 at 3:42 PM and the baritone saxophone overdub recorded for 'Bop Bop Shuop' on the 14th November 2009 at 4:56 PM were also subsequently removed, and only the tenor saxophone overdubs were included for the new mixes of both tracks.

16th November 2009
Surprisingly though their rock and roll cover of ' song '' had already been recorded in 1971 and released on their rock and roll album comprised of their 1971 rock and roll covers in 1988, Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell recorded overdubs for the song on this day, hoping to model a new updated mix of the song.

It was during this same session that Torquil recorded a tenor saxophone overdub for the song. The intention was to make the band's old recording of the song more similar to ' original version. The instrumentation of the original mix was based off ' cover of the song.

17th November 2009
Surprisingly though their rock and roll cover of '' / ' (Goin' Back to Birmingham)' [Medley] had already been recorded in 1971 and released on their rock and roll album comprised of their 1971 rock and roll covers in 1988, Torquil Dohrn recorded baritone and tenor saxophone overdubs for the 'Hey, Hey, Hey, Hey!' part of the medley on this day, hoping to model a new updated mix of the song.

18th November 2009
Surprisingly though their rock and roll cover of ' song '' had already been recorded in 1971 and released on their rock and roll album comprised of their 1971 rock and roll covers in 1988, Sam and Torquil respectively recorded and tenor saxophone overdubs for the song on this day, hoping to model a new updated mix of the song. Sam also recorded a grand piano overdub for their cover of 'Don't Do It' on this day.

19th November 2009
Surprisingly, the band decided that more work still needed to be done on their rock and roll cover of 'Shout'. Peter McDonald and Torquil Dohrn respectively recorded and  overdubs for the song on this day, hoping to finish wok on the new updated mix of the song.

20th November 2009
More work was needed to complete the new mix of the band's 1971 rock and roll cover of 'Shout' on this day. Torquil Dohrn recorded alto saxophone, trumpet, and baritone saxophone overdubs for the song on this day. He also double tracked the trumpet and tenor trombone overdubs that he added. At long last, the new mix was complete.

According to Torquil, the band's intention was to model a new mix of their 1971 cover of 'Shout' to make it seem more like the version performed in 1965 for, which was difficult because they were unsure exactly what instruments were included in the backing instrumentation of the recording.

Gregory Dogan served as the for the recording sessions for 'Ain't That a Shame' and the overdubs for 'Don't Do It', 'Bop Bop Shuop', 'Boys', 'Chains', 'Kansas City' / 'Hey-Hey-Hey-Hey! (Goin' Back to Birmingham)' [Medley], and 'Shout'.

1st February 2010
Album Reissue — Still In Business

11th March 2010
Album Release — The Very Best of, Volume Two

A new was released on this day. It collected up many of the most popular songs released by from 1978 to 2006, though several of the band's lesser known songs from that timespan had been handpicked by the band members and included on the album as well. So in true sense, it is also a compilation album.

While the instrumentation on all the mixes on this album are identical to those found on the original and s, most of the mixes found on this album have the  and s placed in the middle of the, to give the album a more modernised sound and feel.

'Let Us Ride' and 'Vision of My Life' are presented in their 2001 stereo mixes from the Singles Collection. These mixes are identical to their original 1978 stereo mixes that were released as a single. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Instant Carbonara' and 'Key Lime Pie' are presented in their 2001 stereo mixes from the Singles Collection. These mixes are identical to their original 1980 stereo mixes that were released as a single. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Sick and Tired of Travelling', 'I Don't Want to Be a Womaniser', and 'Chaos and Corruption' are presented in their 2001 stereo mixes from the Singles Collection. These mixes are identical to their original 1981 stereo mixes that were released on their respective singles. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'A World without Romance' is presented in its 2001 stereo mix from the Singles Collection. This mix is identical to its original 1981 stereo mix that was released as a single and on the band's 1981 studio album X-Rayed. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Moonlight Bay' is presented in its 2001 stereo mix from the Singles Collection. This mix is identical to its original 1982 stereo mix that was released as a single and on the band's 1982 studio album Sunset Stadium. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Pigeon Post' is presented in its 2001 stereo mix from the Singles Collection. This mix is identical to its original 1982 stereo mix that was released as a single. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Mochaccino Springs' and 'Ocean Ripple' are presented in their 1999 UK stereo mixes. These mixes were released as a single in 1999 in the and most other countries, as well as on the UK album release of Paintball Arena in 2000. The UK stereo mixes differ slightly from the stereo mixes that were released as a single in the US, as well as on album releases of Paintball Arena outside the UK.

The UK and US mixes use the same instrumentation but the UK mix of 'Mochaccino Springs' has a slightly rawer and crisper sound, more prominent and  sounds, and a more prominent, particularly during the final fade. The US mix on the other hand has a slightly fuller sound, more prominent, and a more prominent , although the remaining instrumentation in this mix is more balanced.

The UK mix of 'Ocean Ripple' has a slightly rawer and crisper sound, a more prominent, as well as more prominent percussion, and more prominent water bubbling, particularly during the final fade. The US mix on the other hand has more a slightly fuller sound, and more prominent strings, although the remaining instrumentation in this mix is more balanced.

'Paintball Attendant' is presented in its original 1999 stereo mix that was released on the band's 2000 studio album Paintball Arena. 'The Dream is Over', 'Romance is My Life', 'Blossom of Romance', and 'Blissful Night' are presented in their 2005 stereo mixes that were released on their respective singles, and on the band's 2006 studio album Bucket Full of Cherries.

'Rights from Wrongs' and 'Moolah Mogul' are presented in their original 1981 stereo mixes that were released on their respective singles because the vocals and/or instruments frequently switched between channels, so remixing the songs would spoil their experimental feel.

'Moolah Mogul' is presented in its original 1981 stereo mix that was released as a single which differs slightly from the mix released on X-Rayed as the and  dubbed by Peter were omitted from the single mix, because they weren't recorded in time for the song's single release.

'If I Lost Your Love', 'I Love You Girl', 'Shannon', and 'You Make Me Shiver' are presented in new 2009 stereo mixes which are identical to their original 1978 stereo mixes that were released on the band's 1978 studio album Rocky Road. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'A Dream of a Dream', 'Vicky-Li', and 'I'm Touched By Your Love' are presented in new 2009 stereo mixes which are identical to their 1979 stereo mixes that were released on the band's 1979 studio album Drink Up. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Fire! Fire! Fire!' and 'Moment of Glory' are presented in new 2009 stereo mixes which are identical to their 1980 stereo mixes that were released on the band's 1980 studio album Blast Off!. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Savant Supreme' and 'This is Romance' are presented in new 2009 stereo mixes which are identical to their 1981 stereo mixes that were released on X-Rayed. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'Knee Length Skirt' is presented in a new 2009 stereo mix which is identical to its original 1982 stereo mix that was released on Sunset Stadium. The only differences are the lead vocals and drums which are placed in the middle of the stereo picture.

'I'm Nothing without You Girl' and 'Love Me Girl' are presented in their original 1981 stereo mixes that were released on X-Rayed because the vocals and/or instruments frequently switched between channels, so remixing the songs would spoil their experimental feel.

24th March 2010
The band was back recording more overdubs for two old recordings that had been made in 1971 and 1973. The band's rock and roll cover of '' by had been started in 1971 and completed in 1973. But even so, the band still decided to go back and do more work on the outtake. Similarly, the band's cover of another Chuck Berry song '' had been recorded in 1973, and they felt that the track still needed more work.

On this day, Sam Whitby recorded overdubs for 'Sweet Little Sixteen' and 'You Can't Catch Me', while Peter McDonald and Torquil Dohrn recorded  overdubs. Devon O'Connell, Milford Ekdahl, and Wilbur Milardo recorded, , and overdubs respectively.

This would be one of the first examples where Milford would play a percussion instrument, his usual role being a and. The tambourine overdubs were mixed very low for both tracks, while the bongo drums were fairly prominent in 'You Can't Catch Me', while they weren't nearly as prominent in 'Sweet Little Sixteen'.

25th March 2010
Three sets of overdubs for each of the Chuck Berry covers 'Sweet Little Sixteen' and 'You Can't Catch Me' were recorded on this day. The first overdubs featured Torquil Dohrn and session musician Clotilde Whiddon on alto saxophone. The second overdubs featured Peter McDonald, Torquil, and session musician Wilburn Charboneau on trumpet. The third overdubs featured Torquil and session musician Leon Baccus on tenor saxophone.

26th March 2010
Torquil Dohrn finished up the overdubs for 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day. Contributing, baritone saxophone, and  overdubs. He and session musician Karin Lomonaco also contributed overdubs.

28th March 2010
Although the band had already released their 1971 rock and roll covers of  that had originally been recorded by, and  that had originally been recorded and released by on their debut album  and their second album Show Business respectively, the band decided that they wanted to model new mixes of both recordings. Milford Ekdahl recorded overdubs for both songs, while Wilbur Milardo recorded grand piano overdubs for 'Rip It Up' and percussion overdubs for 'Peggy Sue'.

30th March 2010
Peter McDonald, Milford Ekdahl, and Devon O'Connell's wife Esther O'Connell recorded grand piano overdubs for 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day, while Torquil Dohrn, Wilbur Milardo, and Peter's wide Elodia McDonald recorded electric piano overdubs. Another five series of overdubs would be necessary in order to complete the new mixes of both tracks.

31st March 2010
Peter McDonald, Sam Whitby, Milford Ekdahl, and Wilbur Milardo completed the overdubbing of s for their new mixes of 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day. This time being keyboard overdubs.

1st April 2010
Peter McDonald, Sam Whitby, and Torquil Dohrn recorded overdubs for their new mixes of 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day.

2nd April 2010
Peter McDonald, Torquil Dohrn, Milford Ekdahl, and session musician Terrence Choy recorded overdubs for their new mixes of 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day.

3rd April 2010
Peter McDonald recorded lead guitar overdubs for the band's new mixes of 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day, while Sam Whitby and Torquil Dohrn recorded overdubs.

4th April 2010
Peter McDonald recorded electric guitar overdubs for the band's new mixes of 'Sweet Little Sixteen' and 'You Can't Catch Me' on this day. At long last, the new mixes of both songs had been completed.

8th May 2010
Album Reissue — 

The band's 1971 studio album  was reissued on this day with three previously unreleased mixes of tracks featured on the original album, or its 1992 reissue.

The 2010 reissue contained an early alternate mix of 'Rainballs' presented in its original not so form. The original released mix featured overdubs that gave the song its signature psychedelic sound.

The first master take of 'Rainballs' was recorded on the 9th July 1971 which featured Peter McDonald on lead vocals and bass guitar, Sam Whitby on harmony vocals and rhythm guitar, Torquil Dohrn on harmony vocals and electric guitar, Devon O'Connell on drum kit, and Chudley Maron on electric piano.

The second master take was recorded on the 17th July 1971 which featured Peter on acoustic guitar, Sam on, Devon on tambourine, and Chudley on. It was during this same session that Torquil's lead guitar was turned around so that it was playing backwards.

The third master take was recorded on the 18th July 1971 which featured Sam on, Torquil on , and Devon on. The fourth master take was recorded on the 19th July 1971 which featured s by Peter, Sam, Torquil, and Devon.

The band decided that for the 2010 reissue of , they would release the earliest mix of 'Rainballs' they had, with the electric guitar round the right way, and without all the overdubs from the 17th, 18th, and 19th July 1971.

The original released mix of ' (and Let 'Em Roll)' featured a B♭ Clarinet played by Alphonse Labounty. The song had been recorded as one master take on the 15th October 1971 without any overdubs. But the band decided to release a new mix of the song, without the B♭ Clarinet, to give the song a more classic rock and roll sound, and less of a y feel.

The original released mix of '' was a combination of two different master takes. The first master take from the 11th September 1971 featured Peter McDonald on, Sam Whitby on and rhythm guitar, Torquil Dohrn on lead guitar, Devon O'Connell on drum kit, and Chudley Maron on grand piano.

The second master take from the 13th October 1971 featured handclaps recorded by Peter, Sam, Torquil, and Devon. It was during this same session that Sam's vocal was. For the 2010 reissue of , an early mix of 'Roll over Beethoven' was issued without the handclaps, and without the double-tracking to Sam's vocal.

15th May 2010
While most of the band's covers for their upcoming covers album were complete, it was decided that two more covers would be recorded for the album. On this day, the band recorded a cover of the 50's song ' (That's What I Want)' by and  at the Eastern Sound Theatres.

's cover of the song featured Peter McDonald on lead vocals, although the band had tried recording several takes of the song in the studio with Sam Whitby and Torquil Dohrn handling the lead vocal. 's recording of the song was noticeably heavier and more riff-based than the original version by, which was partly due to the band using live instruments.

25th May 2010
The band began to work on one last cover for their rock and roll covers album on this day. The composition in question was a 1957 song '' which had been written and originally recorded by.

Once again, the band wasn't initially sure who should do the vocals on their recording. Although they did try recording the song with Sam Whitby on vocals, the vocal duties were ultimately given to Torquil Dohrn, as they felt that it fitted his vocal range better.

26th May 2010
Peter McDonald, Sam Whitby, Torquil Dohrn, and Milford Ekdahl record keyboard overdubs for their cover of 'Just Because' on this day. Wilbur Milardo also recorded grand piano overdubs during the same session.

27th May 2010
Peter McDonald, Sam Whitby, and Wilbur Milardo record electric piano overdubs for their cover of 'Just Because' on this day.

28th May 2010
Sam Whitby and Torquil Dohrn recorded grand piano overdubs for their cover of 'Just Because' on this day. Later on the same day, Devon O'Connell and Milford Ekdahl recorded percussion overdubs. Both pairs of overdubs were recorded at Oxford Studios.

29th May 2010
Peter McDonald, Sam Whitby, and Torquil Dohrn record electric guitar overdubs for their cover of 'Just Because' on this day. Milford Ekdahl also recorded an acoustic guitar overdub during this same session.

30th May 2010
Peter McDonald, Torquil Dohrn, and Milford Ekdahl record rhythm guitar overdubs for their cover of 'Just Because' on this day.

31st May 2010
Sam Whitby and Torquil Dohrn record bass guitar overdubs for their cover of 'Just Because' on this day.

6th June 2010
Peter McDonald and Sam Whitby were back at Eastern Sound Recorders, recording lead guitar overdubs for their cover of 'Just Because' on this day.

9th June 2010
Peter McDonald, Sam Whitby, and Torquil Dohrn recorded drum kit overdubs for their cover of 'Just Because' on this day. Sam also recorded percussion overdubs for 'Just Because', later that evening.

11th June 2010
Torquil Dohrnn recorded B♭ Clarinet and French horn overdubs for the band's cover of 'Just Because' on this day.

13th June 2010
Peter McDonald, Torquil Dohrn, and session musician Wilburn Charboneau record trumpet overdubs for the band's cover of 'Just Because' on this day.

15th June 2010
Torquil Dohrn and session musician Clotilde Whiddon record alto saxophone overdubs for the band's cover of 'Just Because' on this day.

17th June 2010
Torquil Dohrn and session musicians Leon Baccus and Sherilyn Dancer record tenor saxophone overdubs for the band's cover of 'Just Because' on this day.

20th June 2010
Torquil Dohrn and session musician Lacresha Smail record baritone saxophone overdubs for the band's cover of 'Just Because' at Oxford Studios on this day.

23rd June 2010
Torquil Dohrn and session musician Karin Lomonaco record woodwind overdubs for the band's cover of 'Just Because' on this day. At long last, the overdubbing of the song was complete.

18th September 2010
As a studio exercise, Peter McDonald recorded a cover of The Beatles' song '' on this day. His version is significantly longer than 's original version, since the lyrics are repeated, followed by an instrumental section which is the same but without the vocals, and then the lyrics are repeated one last time before the song finishes.

Peter's recording of 'Her Majesty', despite being recorded before the band's rock and roll covers album was released, was not immediately released, since it was just a studio exercise and wasn't intended to be released on that album anyway.

17th November 2010
Album Release — Childhood Favourites

A rock and roll album Childhood Favourites which consisted of recordings of some of the band's favourite covers was released on this day. Many of the recordings were remixed versions of covers recorded between 1971 and 1976, along with three new cover recordings recorded between 2009 and 2010. The remixes of the tracks that featured new overdubs recorded during 2009 and 2010, along with the new tracks themselves would be produced by Gregory Dogan, although the remainder of the tracks that didn't feature new overdubs would remain credited to their original producer, Chudley Maron.

, , and '' are presented in remixed formats with the lead vocals and drums placed in the middle of the stereo picture, to give the songs a more modernised sound and feel. 'Honey Don't' is otherwise identical to its 1979 stereo mix, while 'Soldier of Love' and 'The Twist' are otherwise identical to their 1974 stereo mixes. '/' was remixed and reproduced by Gregory Dogan for Childhood Favourites. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features baritone saxophone and tenor saxophone overdubs which weren't included in the original 1971 stereo mix, as the new overdubs weren't recorded until 2009.

 and  were remixed and reproduced by Gregory Dogan for Childhood Favourites. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mixes feature bass guitar, alto saxophone, trumpet, tenor saxophone, French horn, B♭ Clarinet, woodwind, electric piano, drum kit, rhythm guitar, electric guitar, grand piano, keyboard, lead guitar, bongo drum, tambourine, and maraca overdubs which weren't included in the 1973 stereo mixes, as the new overdubs weren't recorded until 2010. While the earlier mixes featured roughly the same arrangements as the original versions by, the new mixes featured almost the same arrangements as the cover versions by , except that like Chuck Berry's version of 'Sweet Little Sixteen', 's version had a significantly faster tempo than John Lennon's version did. Tellingly, none of the old instruments that weren't included in the cover versions by John Lennon were removed from the recordings.

 was remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features tenor saxophone and grand piano overdubs which weren't included in the original 1971 stereo mix, as the new overdubs weren't recorded until 2009.  and 'Bop Bop Shuop' (the only song featured on Childhood Favourites that was an original composition by the band, it was included because it was inspired by the song 'Boys' and had a cover feel to it) were remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mixes featured tenor saxophone overdubs which weren't included in the respective 1971 and 1976 stereo mixes, as the new overdubs weren't recorded until 2009.

 was remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features acoustic guitar and grand piano overdubs which weren't included in the original 1971 stereo mix, as the new overdubs weren't recorded until 2010. It is one of two songs on this album to have been immediately released on one of the band's studio albums from the 1970's. The other being  was remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features acoustic guitar and percussion overdubs which weren't included in the original 1972 stereo mix, as the new overdubs weren't recorded until 2010.

 was remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features handclaps and tenor saxophone overdubs which weren't included in the 1971 stereo mix, as the new overdubs weren't recorded until 2009. While the earlier mix featured roughly the same arrangement as the cover version by, the new mix featured almost the same arrangement as the original version by , although none of the old instruments that weren't included in the original version by The Cookies were removed from the recording.

 was remixed and reproduced by Gregory Dogan for Childhood Favourites''. In addition to having the lead vocals and drums placed in the middle of the stereo picture, the new mix features tenor saxophone, trombone, alto saxophone, trumpet, baritone saxophone, and grand piano overdubs which weren't included in the 1971 stereo mix, as the new overdubs weren't recorded until 2009. While the earlier mix featured roughly the same arrangement as the cover version by The Beatles, the intention of the new mix was to get the arrangement more like the cover did in 1965 for, which was difficult because they were unsure exactly what instruments were included in the backing instrumentation of the recording.

The album's reception was mostly positive in the United Kingdom and the United States but mostly mixed everywhere else. Some critics praised the '' approach to some of the new mixes, while others were not so enthusiastic, saying that they didn't see the point, and that most of the songs on the album were not immediately released, and had been released as outtakes on reissues of the band's studio albums or on the band's album of 1971 rock and roll covers. So they didn't see the point of the band making new mixes of the songs that they either never intended to be released, or were previously rejected from their studio albums from the 70's.

The album managed to reach #5 on the chart in the United States but only briefly. It wasn't quite as successful in the United Kingdom, only reaching #11 for a brief period. Peter McDonald and Sam Whitby were nitpicky about the album, saying that no one paid careful attention to the number of songs each band member got featuring themselves on lead vocals. They said that they should have been more careful because they felt that there was way too much Torquil Dohrn on the album.

18th December 2010
The band would continue to record a cover or two during their on/off hiatus from recording professionally. They were planning to record another studio album, but they weren't entirely sure when they would record another one.

On this day the band recorded a cover of a song  which had been written by, Tom Teeley, and Glenn Wyka, and covered by on their 1987 album ''.

Why chose to record this cover is uncertain, but a contributing factor may have been that they wanted to record another song that shared its name with  that they'd covered previously.

19th December 2010
Devon O'Connell and Wilbur Milardo respectively add percussion and overdubs to the band's cover of 'Don't Bring Me Down' the following morning. The song was now completed.

10th January 2011
Album Release — Anthology 1

The first album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes and versions of the songs had been previously unreleased. '' is presented in its original mix without the drum kit, grand piano, and vocal overdubs recorded on the 14th March 1971. '' is presented in its original mix without the drum kit, grand piano, vocal, and lead guitar overdubs recorded on the 15th March 1971.

'' is first presented in its original mix, without the backing vocals, drum kit, and handclap overdubs recorded on the 20th March 1971, the tenor saxophone overdubs recorded on the 13th November 2009, and the grand piano overdubs recorded on the 18th November 2009. '' is presented in its original mix without the drum kit, rhythm guitar, baritone saxophone, and tenor saxophone overdubs recorded on the 16th March 1971. '' is presented in its original mix without the drum kit overdubs recorded on the 15th March 1971, and the tambourine overdubs recorded on the 19th December 1979.

'' is presented in its original mix without the drum kit,, and bongo drum overdubs recorded on the 16th March 1971. '' is presented in its original mix without the drum kit, rhythm guitar, baritone saxophone, and tenor saxophone overdubs recorded on the 18th March 1971. '' is presented in its original mix without the drum kit, electric piano, lead guitar, tambourine, baritone saxophone, and tenor saxophone overdubs recorded on the 18th March 1971. '' is presented in its original mix without the drum kit and rhythm guitar overdubs recorded on the 17th March 1971.

'' is presented in its original mix without the drum kit, tambourine, and overdubs recorded on the 14th March 1971.  /  [Medley] is presented in its original mix without the drum kit and grand piano overdubs recorded on the 16th March 1971, and the baritone saxophone and tenor saxophone overdubs recorded on the 17th November 2009. '' is presented in its original mix without the backing vocal and drum kit overdubs recorded on the 19th March 1971, the tenor saxophone overdubs recorded on the 18th November 2009, the trumpet and tenor trombone overdubs recorded on the 19th November 2009, and the alto saxophone, trumpet, baritone saxophone, and tenor trombone overdubs recorded on the 20th November 2009. '' is presented in its original mix without the drum kit and overdubs recorded on the 19th March 1971, and the handclap and tenor saxophone overdubs recorded on the 16th November 2009.

'' is presented in its original mix without the drum kit and rhythm guitar overdubs recorded on the 17th March 1971, the baritone saxophone, tenor saxophone, and overdubs recorded on the 21st September 1973, the lead guitar, bass guitar, and percussion, bongo drum, tambourine, and maraca overdubs recorded on the 24th March 2010, the alto saxophone, trumpet, and tenor saxophone overdubs recorded on the 25th March 2010, the French horn, baritone saxophone, B♭ Clarinet, and woodwind overdubs recorded on the 26th March 2010, the grand piano and electric piano overdubs recorded on the 30th March 2010, the keyboard overdubs recorded on the 31st March 2010, the drum kit overdubs recorded on the 1st April 2010, the rhythm guitar overdubs recorded on the 2nd April 2010, the lead guitar and electric guitar overdubs recorded on the 3rd April 2010, and the electric guitar overdubs recorded on the 4th April 2010.

'' is presented in its original mix without the drum kit overdubs recorded on the 17th March 1971. '' is presented in its original mix without the drum kit, rhythm guitar, baritone saxophone, and tenor saxophone overdubs recorded on the 16th March 1971. '' is presented in its original mix without the drum kit,, semi-acoustic guitar, bass guitar, Hammond organ, and tambourine overdubs recorded on the 14th March 1971. '' is presented in its original mix without the backing vocal and drum kit overdubs recorded on the 19th March 1971, and the tenor saxophone overdubs recorded on the 15th November 2009.

'' is presented in its original mix without the drum kit, electric organ, vocal, lead guitar, tenor saxophone, baritone saxophone, and cowbell overdubs recorded on the 18th March 1971. '' is presented in its original mix without the drum kit, grand piano, semi-acoustic guitar, and tenor saxophone overdubs recorded on the 19th March 1971. '' is presented in its original mix without the lead guitar, drum kit,, and overdubs recorded on the 16th March 1971. '' is presented in its original mix without the lead vocal, drum kit, and tambourine overdubs recorded on the 15th March 1971.

'' is presented in its original mix without the drum kit and bass guitar overdubs recorded on the 16th March 1971. '' is presented in its original mix without the drum kit, grand piano, and tenor saxophone overdubs recorded on the 17th March 1971. 'Don't Do It' next appears in its second mix, without the handclap overdubs recorded on the 20th March 1971, the tenor saxophone overdubs recorded on the 13th November 2009, and the grand piano overdubs recorded on the 18th November 2009. 'Missile Line 01-1-10' is presented in its original mix without the Hammond organ overdubs recorded on the 15th July 1971.

'Midnight Parade' is presented in its original mix without the lead vocal and tambourine overdubs recorded on the 14th July 1971. 'Festival' is presented in its original mix without the lead vocal and tambourine overdubs recorded on the 14th July 1971. 'Rock It!' is presented in its original mix without the, semi-acoustic guitar, cowbell, and bass guitar overdubs recorded on the 15th July 1971, and the trumpet,  s, and s recorded on the 21st July 1971. 'Magpie' is first presented in its original mix without the, harmony vocal, and   overdubs recorded on the 16th July 1971, and the tape loops recorded on the 20th July 1971.

'Rock It!' next appears in its second mix without the trumpet, tenor saxophone sound effects, and sound effects recorded on the 21st July 1971. 'Rainballs' is first presented in its second mix without the tambura, sitar, and tabla overdubs recorded on the 18th July 1971, and the tape loops recorded on the 19th July 1971. 'Magpie' next appears in its second mix without the tape loops recorded on the 20th July 1971. 'Rainballs' next appears in its third mix without the tape loops recorded on the 19th July 1971. 'Please, No More' is presented in its original mix without the lead vocal overdubs recorded on the 14th October 1971. ' (I've Just Begun to Care)' is presented in its original mix without the lead vocal overdubs recorded on the 14th October 1971. 'Club Knight' is first presented in its original mix without the vocal and handclap overdubs recorded on the 28th October 1971, and the Hammond organ overdubs recorded on the 29th October 1971. 'Shake Little Baby' is presented in its original mix without the handclap overdubs recorded on the 28th October 1971.

'Club Knight' next appears in its second mix without the Hammond organ overdubs recorded on the 29th October 1971. 'Clarabelle' is presented in its original mix without the backing vocal and grand piano overdubs recorded on the 4th November 1971. 'Goldhood' is presented in its original mix without the backing vocal, tambourine, and maraca overdubs recorded on the 4th November 1971. 'Love is the Power' is first presented in its original mix without the, bass guitar, maraca, and overdubs recorded on the 14th December 1971, and the backing vocal and  overdubs recorded on the 15th December 1971.

'The Ballad of Louise Starker' is first presented in its original mix without the glockenspiel, bass guitar, maraca, and pedal harp overdubs recorded on the 14th December 1971, and the backing vocal and cello overdubs recorded on the 15th December 1971. 'Love is the Power' next appears in its second mix without the backing vocal and cello overdubs recorded on the 15th December 1971. 'The Ballad of Louise Starker' next appears in its second mix without the backing vocal and cello overdubs recorded on the 15th December 1971. The 1972 version of 'Tropical Beach Hogs' is first presented in its original mix without the handclap and maraca overdubs recorded on the 15th March 1972, the maraca and grand piano overdubs recorded on the 16th March 1972, and the tape loops recorded on the 13th August 1975.

The 1972 version of 'Pineapple Heart' is presented in its original mix without the baritone saxophone, tenor saxophone, alto saxophone, lead vocal, and tambourine overdubs recorded on the 15th March 1972, and the tape loops recorded on the 13th August 1975. The 1972 version of 'Tropical Beach Hogs' next appears in its second mix without the maraca and grand piano overdubs recorded on the 16th March 1972, and the tape loops recorded on the 13th August 1975. '' is presented in its original mix without the alto saxophone, trumpet, tenor trombone,, , cello, and backing vocals recorded on the 6th May 1972. 'Nips of Pity' is presented in its original mix without the electric piano,, and tambourine overdubs recorded on the 1st June 1973.

'Squeeze Me Nice' is first presented in its original mix without the harmony vocal, acoustic-electric rhythm guitar, lead vocal, and electric piano overdubs recorded on the 8th June 1973. 'Tights of Pain' is presented in its original mix without the acoustic-electric rhythm guitar, harmony vocal, Hammond organ, and tambourine overdubs recorded on the 14th June 1973. 'Shake Those Hips' is presented in its original mix without the Hammond organ, harmonica, and percussion overdubs recorded on the 11th June 1973. 'Tunnel Walk' is presented in its original mix without the Hammond organ and harmonica overdubs recorded on the 5th June 1973.

'Squeeze Me Nice' next appears in its second mix without the lead and additional harmony vocal overdubs recorded on the 8th June 1973. It then appears in its third mix without the additional harmony vocals recorded on the 8th June 1973. 'Rock and Roll Theme' is first presented in its original mix without the cello, electric piano, and cowbell overdubs recorded on the 23rd June 1973, and the lead and harmony vocals recorded on the 24th August 1973. 'Jeanie-Lee' is first presented in its original mix without the and baritone saxophone overdubs recorded on the 5th July 1973, the tenor saxophone overdub recorded on the 6th July 1973, and the lead and harmony vocal overdubs recorded on the 27th August 1973.

'Lil-Emmaline' is first presented in its original mix without the Lowrey organ, alto saxophone, cowbell, trumpet, and oboe overdubs recorded on the 13th July 1973, and the lead and harmony vocal overdubs recorded on the 31st August 1973. 'Chaos Symphony' is first presented in its original mix without the cello, Lowrey organ,, percussion, and overdubs recorded on the 24th July 1973, and the lead vocal overdubs recorded on the 4th September 1973. 'Jeanie-Lee' next appears in its second mix without the tenor saxophone overdub recorded on the 6th July 1973, and the lead and harmony vocal overdubs recorded on the 27th August 1973. It next appears in its third mix without the lead and harmony vocal overdubs recorded on the 27th August 1973.

'How Could You?' is presented in its original mix without the cello, Lowrey organ, alto saxophone, cowbell, trumpet, and oboe overdubs recorded on the 29th July 1973. 'Dark Power' is presented in its original mix without the cello, Lowrey organ, Moog synthesiser, percussion, and overdubs recorded on the 17th July 1973. 'Lil-Emmaline' next appears in its second mix without the lead and harmony vocal overdubs recorded on the 31st August 1973. 'Chaos Symphony' next appears in its second mix without the lead vocal overdubs recorded on the 4th September 1973. 'Beethoven Bounce' is first presented in its original mix without the cello, Lowrey organ, percussion, and lead vocal overdubs recorded on the 15th August 1973, and without the handclaps recorded on the 21st August 1973.

'Bellaroy' is presented in its original mix without the cello, Lowrey organ, tenor saxophone sound effects, and rainstick overdubs recorded on the 17th September 1973. 'Beethoven Bounce' next appears in its second mix without the handclaps recorded on the 21st August 1973. 'Rock and Roll Theme' next appears in its second mix without the lead and harmony vocals recorded on the 24th August 1973. 'Shake, Rattle and Die' is first presented in its original mix without the cello, Lowrey organ, and cowbell overdubs recorded on the 13th September 1973, and the lead and harmony vocal overdubs recorded on the 15th September 1973. It next appears in its second mix without the lead and harmony vocal overdubs recorded on the 15th September 1973.

16th April 2011
Album Release — Anthology 2

The second album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased.

'' is presented in its original mix without the electric piano, percussion, tenor saxophone, and baritone saxophone overdubs recorded on the 22nd September 1973, the lead guitar, bass guitar, bongo drum, tambourine, and maraca overdubs recorded on the 24th March 2010, the alto saxophone, trumpet, and tenor saxophone overdubs recorded on the 25th March 2010, the French horn, baritone saxophone, B♭ Clarinet, and woodwind overdubs recorded on the 26th March 2010, the grand piano and electric piano overdubs recorded on the 30th March 2010, the keyboard overdubs recorded on the 31st March 2010, the drum kit overdubs recorded on the 1st April 2010, the rhythm guitar overdubs recorded on the 2nd April 2010, the lead guitar and electric guitar overdubs recorded on the 3rd April 2010, and the electric guitar overdubs recorded on the 4th April 2010.

'' is first presented in its original mix without the harmonica, lead vocal, and backing vocal overdubs recorded on the 29th September 1973. It next appears in its second mix without the lead and backing vocal overdubs recorded on the 29th September 1973. 'Cocoa Star Rookies' is first presented in its original mix without the semi-acoustic guitar, electric piano, electric slide guitar, and percussion overdubs recorded on the 11th October 1973, the tenor saxophone sound effects, bass guitar, sound effects, and cowbell overdubs recorded on the 12th October 1973, and the alto saxophone, trumpet, and oboe overdubs recorded on the 13th October 1973. 'Sweet Amber, Sweet' is presented in its original mix without the sound effects, cello, tambourine, Lowrey organ, and lead vocal overdubs recorded on the 14th October 1973.

'Cocoa Star Rookies' next appears in its second mix without the tenor saxophone sound effects, bass guitar, sound effects, and cowbell overdubs recorded on the 12th October 1973, and the alto saxophone, trumpet, and oboe overdubs recorded on the 13th October 1973. It last appears in its third mix without the alto saxophone, trumpet, and oboe overdubs recorded on the 13th October 1973. 'Mary-Anne' is first presented in its original mix without the harmony vocal overdubs recorded on the 13th February 1974, the lead vocal overdubs recorded on the 13th February 1974, and the overdubs recorded on the 8th November 1974. 'Sexy Young Hips' is first presented in its original mix without the backing vocal overdubs recorded on the 13th February 1974, and the lead vocal overdubs recorded on the 13th February 1974.

'Mary-Anne' next appears in its second mix without the lead vocal overdubs recorded on the 13th February 1974, and the sleigh bell overdubs recorded on the 8th November 1974. 'Sexy Young Hips' next appears in its second mix without the lead vocal overdubs recorded on the 13th February 1974. 'Diamonds and Cherries' is presented in its original mix without the handclaps recorded on the 10th March 1974, and the sleigh bell overdubs recorded on the 8th November 1974. 'Back Together' is presented in its original mix without the handclaps recorded on the 10th March 1974. 'Great Lips' is presented in its original mix without the cowbell overdubs recorded on the 9th April 1974. 'Takin' a Ride for Money' is presented in its original mix without the tape loops recorded on the 9th April 1974, and the sleigh bell overdubs recorded on the 8th November 1974.

'Sweet Little Suzie' is presented in its original mix without the lead vocal overdubs recorded on the 15th May 1974. 'Don't Listen to Her' is presented in its original mix without the Moog synthesiser overdubs recorded on the 7th June 1974, and the sleigh bell overdubs recorded on the 8th November 1974. 'Shakin' Up the Seventies' is presented in its original mix without the lead vocal overdubs recorded on the 20th July 1974. 'Really Hot' is presented in its original mix without the lead vocal overdubs recorded on the 12th August 1974, and the sleigh bell overdubs recorded on the 8th November 1974. 'Pixie' is presented in its original mix without the handclaps recorded on the 23rd August 1974, and the sleigh bell overdubs recorded on the 8th November 1974. 'Happy Christmas' is presented in its original mix without the lead vocal overdubs recorded on the 30th October 1974.

'Snowman' is first presented in its original mix without the harmony vocal overdubs recorded on the 7th November 1974, the backing vocal overdubs recorded on the 7th November 1974, the lead vocal overdubs recorded on the 7th November 1974, the harmony vocal overdubs recorded on the 7th November 1974, and the backing vocal overdubs recorded on the 7th November 1974. 'Phoenix' is presented in its original mix without the lead vocal overdubs recorded on the 7th November 1974. 'Snowman' next appears in its second mix without the backing vocal overdubs recorded on the 7th November 1974, the lead vocal overdubs recorded on the 7th November 1974, the harmony vocal overdubs recorded on the 7th November 1974, and the backing vocal overdubs recorded on the 7th November 1974.

It next appears in its third mix without the lead vocal overdubs recorded on the 7th November 1974, the harmony vocal overdubs recorded on the 7th November 1974, and the backing vocal overdubs recorded on the 7th November 1974. It then appears in its fourth mix without the harmony vocal overdubs recorded on the 7th November 1974, and the backing vocal overdubs recorded on the 7th November 1974. It last appears in its fifth mix without the backing vocal overdubs recorded on the 7th November 1974. 'The End of the Beginning' is presented in its original mix without the lead vocal, cello, and electric piano overdubs recorded on the 17th August 1975. 'The Beginning of the End' is presented in its original mix without the lead vocal, cello, and electric piano overdubs recorded on the 17th August 1975.

'I Don't Want to Be with You Anymore' is first presented in its original mix without the lead guitar, vocal, bass guitar, drum kit, and rhythm guitar overdubs recorded on the 15th August 1975, and the Moog synthesiser overdubs recorded on the 19th August 1975. 'If I Ever Get a Chance to See Her Again' is first presented in its original mix without the alto saxophone and electric piano overdubs recorded on the 14th August 1975, and the lead vocal overdubs recorded on the 14th August 1975. 'Prostitutes of Nature' is presented in its original mix without the lead vocal and electric piano overdubs recorded on the 15th August 1975. 'You Can't Fraternise with My Enemies' is first presented in its original mix without the lead vocal, lead guitar, and acoustic guitar overdubs recorded on the 18th August 1975, and the Moog synthesiser overdubs recorded on the 19th August 1975.

'You Got the Rhythm' is presented in its original mix without the keyboard and lead vocal overdubs recorded on the 14th August 1975. 'Military Land' is presented in its original mix without the cello, grand piano, upright piano, and lead vocal overdubs recorded on the 18th August 1975. 'Crossing the Boundaries' is first presented in its original mix without the lead vocal and acoustic-electric guitar overdubs recorded on the 16th August 1975, the alto saxophone overdubs recorded on the 16th August 1975, and the Moog synthesiser overdubs recorded on the 19th August 1975. 'The Caribbean' is first presented in its original mix without the lead vocal, cello, and electric piano overdubs recorded on the 16th August 1975, and the Moog synthesiser overdubs recorded on the 19th August 1975.

'If I Ever Get a Chance to See Her Again' next appears in its second mix without the lead vocal overdubs recorded on the 14th August 1975. 'Crossing the Boundaries' next appears in its second mix without the alto saxophone overdubs recorded on the 16th August 1975, and the Moog synthesiser overdubs recorded on the 19th August 1975. 'The Caribbean' next appears in its second mix without the Moog synthesiser overdubs recorded on the 19th August 1975. 'I Don't Want to Be with You Anymore' next appears in its second mix without the Moog synthesiser overdubs recorded on the 19th August 1975. 'You Can't Fraternise with My Enemies' next appears in its second mix without the Moog synthesiser overdubs recorded on the 19th August 1975. 'Crossing the Boundaries' last appears in its third mix without the Moog synthesiser overdubs recorded on the 19th August 1975.

'Jeep' is presented in its second mix without the lead vocal overdubs recorded on the 18th February 1976. 'Soldier Rhymes' is presented in its second mix without the lead vocal overdubs recorded on the 23rd February 1976. 'Ticket to Paris' is presented in its second mix without the lead vocal overdubs recorded on the 23rd February 1976. 'Paper-bag Monster Truck Delivery' is presented in its original mix without the cello, electric piano, alto saxophone, and percussion overdubs recorded on the 16th March 1976. 'Traffic Jam' is presented in its original mix without the alto saxophone, cello, percussion, and electric piano overdubs recorded on the 21st March 1976. 'Close My Door' is presented in its original mix without the, tenor saxophone, , B♭ Clarinet, alto saxophone, tenor trombone, trumpet, and  overdubs recorded on the 20th January 1976.

'Denim Blues, Blacks, Greys, and Whites' is first presented in its original mix without the acoustic-electric guitar, semi-acoustic guitar, and grand piano overdubs recorded on the 5th February 1976, the violin, viola, cello, tenor saxophone, and alto saxophone overdubs recorded on the 7th February 1976, and the lead vocal overdubs recorded on the 18th February 1976. It next appears in its second mix without the violin, viola, cello, tenor saxophone, and alto saxophone overdubs recorded on the 7th February 1976, and the lead vocal overdubs recorded on the 18th February 1976. It last appears in its third mix without the lead vocal overdubs recorded on the 18th February 1976.

19th July 2011
Album Release — Anthology 3

The third album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased.

'Daymare' is presented in its second mix without the handclaps recorded on the 4th March 1976. 'Do the Ronde Ronde' is first presented in its second mix without the electric organ, Lowrey organ, harmonica, and percussion overdubs recorded on the 7th March 1976, the alto saxophone, baritone saxophone, tenor saxophone, and tenor trombone overdubs recorded on the 11th March 1976, and the tenor trombone overdubs recorded on the 14th March 1976. It next appears in its third mix without the alto saxophone, baritone saxophone, tenor saxophone, and tenor trombone overdubs recorded on the 11th March 1976, and the tenor trombone overdubs recorded on the 14th March 1976. It last appears in its fourth mix without the tenor trombone overdubs recorded on the 14th March 1976.

'I've Been Pinched' is presented in its second mix without the cello and percussion overdubs recorded on the 26th March 1976. 'Canary Tunes' is first presented in its original mix without the, , alto saxophone, and cowbell overdubs recorded on the 3rd April 1976, the , , and overdubs recorded on the 6th April 1976, and the lead vocal overdubs recorded on the 6th April 1976. It next appears in its second mix without the agogô bell, conga drum, and whistling overdubs recorded on the 6th April 1976, and the lead vocal overdubs recorded on the 6th April 1976. It last appears in its third mix without the lead vocal overdubs recorded on the 6th April 1976. 'Chamber of Love' is presented in its original mix without the keyboard and Moog synthesiser overdubs recorded on the 10th April 1976.

'Riding on a Steam Train' is first presented in its original mix without the, Lowrey organ, alto saxophone, and tambourine overdubs recorded on the 16th April 1976, and the B♭ Clarinet, harmonica, tenor trombone, and trumpet overdubs recorded on the 19th April 1976. It next appears in its second mix without the B♭ Clarinet, harmonica, tenor trombone, and trumpet overdubs recorded on the 19th April 1976. 'Don't Count on Me' is presented in its original mix without the electric piano, Lowrey organ, and overdubs recorded on the 27th April 1976. 'Sybel Cannibals' is presented in its original mix without the cello,, flute, percussion, , B♭ Clarinet, and violin overdubs recorded on the 4th May 1976. '' is presented in its original mix without the alto saxophone and lead vocal overdubs recorded on the 18th July 1976.

'Christmas Time (Is Finally Here)' is presented in its original mix without the harmony and backing vocal overdubs recorded on the 27th October 1976, the cello, Lowrey organ, sleigh bells, bass drum, and backing vocal overdubs recorded on the 28th October 1976, and the handclaps recorded on the 29th October 1976. It next appears in its second mix without the cello, Lowrey organ, sleigh bells,, and backing vocal overdubs recorded on the 28th October 1976, and the handclaps recorded on the 29th October 1976. It last appears in its third mix without the handclaps recorded on the 29th October 1976. 'Vibraphone Tombs' is first presented in its original mix without the lead vocal, lead guitar, bass guitar, drum kit, rhythm guitar, electric piano, and vibraphone overdubs recorded on the 30th December 1976, the harmony vocal, lead guitar, bass guitar, drum kit, rhythm guitar, electric piano, and vibraphone overdubs recorded on the 30th December 1976, the backing vocal, cello, vibraphone, Moog synthesiser, and celesta overdubs recorded on the 31st December 1976, and the vibraphone overdubs recorded on the 31st December 1976.

It next appears in its second mix without the harmony vocal, lead guitar, bass guitar, drum kit, rhythm guitar, electric piano, and vibraphone overdubs recorded on the 30th December 1976, the backing vocal, cello, vibraphone, Moog synthesiser, and celesta overdubs recorded on the 31st December 1976, and the vibraphone overdubs recorded on the 31st December 1976. It then appears in its third mix without the backing vocal, cello, vibraphone, Moog synthesiser, and celesta overdubs recorded on the 31st December 1976, and the vibraphone overdubs recorded on the 31st December 1976. It last appears in its fourth mix without the vibraphone overdubs recorded on the 31st December 1976. 'Summer Dream' is presented in its original mix without the lead vocal overdubs recorded on the 20th January 1977, and the tambourine, s, and overdubs recorded on the 2nd October 1977.

'Ultra Passion' is presented in its original mix without the, , and overdubs recorded on the 5th February 1977. 'Celtic Dash' is presented in its original mix without the overdubs recorded on the 21st March 1977, and the percussion, tambourine, cymbals, and wood block overdubs recorded on the 2nd October 1977. 'Do the Salsa' is presented in its original mix without the güiro overdubs recorded on the 4th April 1977. 'Gold Digger' is presented in its original mix without the cello,, and percussion overdubs recorded on the 30th April 1977. 'In the Middle of the Night' is presented in its original mix without the lead vocal,, tambourine, cello, viola, and violin overdubs recorded on the 20th August 1977, and the percussion, cymbals, and wood block overdubs recorded on the 3rd October 1977.

'Waltz of Scotland' is first presented in its original mix without the acoustic guitar and electric guitar overdubs recorded on the 26th September 1977, and the great highland bagpipes, military snare drum, and  overdubs recorded on the 17th November 1977. It next appears in its second mix without the great highland bagpipes, military snare drum, and military bass drum overdubs recorded on the 17th November 1977. 'The Girl in the Heather' is presented in its original mix without the cello, acoustic guitar, Moog synthesiser, and percussion overdubs recorded on the 1st October 1977, and the percussion, tambourine, cymbals, wood block overdubs on the 4th October 1977. 'You Make Me Shiver' is presented in its original mix without the cello, viola, cymbals, wood block, and tambourine overdubs recorded on the 12th July 1978.

'Shannon' is first presented in its original mix without the Moog synthesiser overdubs recorded on the 1st May 1978, and the cello, viola, cymbals, wood block, and tambourine overdubs recorded on the 17th July 1978. 'Let Us Ride' is presented in its original mix without the Moog synthesiser overdubs recorded on the 1st May 1978. 'Vision of My Life' is presented in its original mix without the cello and Moog synthesiser overdubs recorded on the 10th May 1978. 'Ambushed' is presented in its original mix without the percussion and lead vocal overdubs recorded on the 27th July 1978. 'Kingside' is presented in its original mix without the alto saxophone, percussion, baritone saxophone, tenor saxophone, and lead vocal overdubs recorded on the 25th July 1978.

'Mulberry Street' is first presented in its original mix without the backing vocal, Moog synthesiser, and overdubs recorded on the 8th April 1978, and the  overdubs recorded on the 8th April 1978. It next appears in its second mix without the shaker overdubs recorded on the 8th April 1978. 'Stand with Me' is first presented in its original mix without the backing vocal,, and baritone saxophone overdubs recorded on the 22nd April 1978, and the handclaps recorded on the 22nd April 1978. 'Stand with Me' next appears in its second mix without the handclaps recorded on the 22nd April 1978. 'Shannon' next appears in its second mix without the cello, viola, cymbals, wood block, and tambourine overdubs recorded on the 17th July 1978. 'Rocky Journey' is first presented in its original mix without the rhythm guitar, electric piano, and backing vocal overdubs recorded on the 14th May 1978, the sound effects recorded on the 15th May 1978, the cello and Moog synthesiser overdubs recorded on the 16th May 1978, and the trumpet and tenor trombone overdubs recorded on the 17th May 1978.

It next appears in its second mix without the sound effects recorded on the 15th May 1978, the cello and Moog synthesiser overdubs recorded on the 16th May 1978, and the trumpet and tenor trombone overdubs recorded on the 17th May 1978. It then appears in its third mix without the cello and Moog synthesiser overdubs recorded on the 16th May 1978, and the trumpet and tenor trombone overdubs recorded on the 17th May 1978. It last appears in its fourth mix without the trumpet and tenor trombone overdubs recorded on the 17th May 1978. 'Rainbow Walk' is first presented in its original mix without the drum kit, electric spinet harpsichord, and overdubs recorded on the 28th May 1978, the backing vocal and lead guitar overdubs recorded on the 28th May 1978, the lead guitar overdubs recorded on the 28th May 1978, the Moog synthesiser and lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978.

It then appears in its second mix without the backing vocal and lead guitar overdubs recorded on the 28th May 1978, the lead guitar overdubs recorded on the 28th May 1978, the Moog synthesiser and lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978. It then appears in its third mix without the lead guitar overdubs recorded on the 28th May 1978, the Moog synthesiser and lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978.

It then appears in its fourth mix without the Moog synthesiser and lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978. It then appears in its fifth mix without the the lead guitar overdubs recorded on the 29th May 1978, the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978. It then appears in its sixth mix without the lead guitar overdubs recorded on the 29th May 1978, and the cello, viola, and violin overdubs recorded on the 30th May 1978.

It last appears in its seventh mix without the cello, viola, and violin overdubs recorded on the 30th May 1978. 'Shoot 'Em Up' is first presented in its original mix without the electric piano, bass guitar, and percussion overdubs recorded on the 9th June 1978, and the tape loops and B♭ Clarinet overdubs recorded on the 14th June 1978. It next appears in its second mix without the tape loops and B♭ Clarinet overdubs recorded on the 14th June 1978.

11th November 2011
Album Release — Anthology 4

The fourth album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased.

'I Love You Girl' is presented in its original mix without the bass guitar, cowbell, and lead vocal overdubs recorded on the 27th June 1978. 'If I Lost Your Love' is presented in its original mix without the alto saxophone, baritone saxophone, and tenor saxophone overdubs recorded on the 9th August 1978, and the cello, viola, cymbals, wood block, and percussion overdubs recorded on the 12th August 1978. It next appears in its second mix without the cello, viola, cymbals, wood block, and percussion overdubs recorded on the 12th August 1978. 'Goo Goo Goo Joob' is presented in its second mix without the backing vocal, B♭ Clarinet, tenor trombone, cello, flute, alto saxophone, trumpet, viola, violin, and oboe overdubs recorded on the 11th January 1979.

'I've Heard Enough' is first presented in its original mix without the backing vocal and drum kit overdubs recorded on the 16th January 1979, the harmony vocal and rhythm guitar overdubs recorded on the 19th January 1979, the lead guitar overdubs recorded on the 19th January 1979, the keyboard overdubs recorded on the 21st January 1979, the tambourine overdubs recorded on the 21st January 1979, and the handclaps recorded on the 21st January 1979. It next appears in its second mix without the harmony vocal and rhythm guitar overdubs recorded on the 19th January 1979, the lead guitar overdubs recorded on the 19th January 1979, the keyboard overdubs recorded on the 21st January 1979, the tambourine overdubs recorded on the 21st January 1979, and the handclaps recorded on the 21st January 1979.

It then appears in its third mix without the lead guitar overdubs recorded on the 19th January 1979, the keyboard overdubs recorded on the 21st January 1979, the tambourine overdubs recorded on the 21st January 1979, and the handclaps recorded on the 21st January 1979. It then appears in its fourth mix without the keyboard overdubs recorded on the 21st January 1979, the tambourine overdubs recorded on the 21st January 1979, and the handclaps recorded on the 21st January 1979. It then appears in its fifth mix without the tambourine overdubs recorded on the 21st January 1979, and the handclaps recorded on the 21st January 1979. It last appears in its sixth mix without the handclaps recorded on the 21st January 1979.

'Drink Up' is first presented in its original mix without the backing vocal and grand piano overdubs recorded on the 27th January 1979, the harmony vocal and electric guitar overdubs recorded on the 29th January 1979, the Lowrey organ overdubs recorded on the 29th January 1979, the bass guitar overdubs recorded on the 29th January 1979, the drum kit overdubs recorded on the 31st January 1979, the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and overdubs recorded on the 13th February 1979. It next appears in its second mix without the harmony vocal and electric guitar overdubs recorded on the 29th January 1979, the Lowrey organ overdubs recorded on the 29th January 1979, the bass guitar overdubs recorded on the 29th January 1979, the drum kit overdubs recorded on the 31st January 1979, the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and drinking overdubs recorded on the 13th February 1979.

It then appears in its third mix without the Lowrey organ overdubs recorded on the 29th January 1979, the bass guitar overdubs recorded on the 29th January 1979, the drum kit overdubs recorded on the 31st January 1979, the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and drinking overdubs recorded on the 13th February 1979. It then appears in its fourth mix without the bass guitar overdubs recorded on the 29th January 1979, the drum kit overdubs recorded on the 31st January 1979, the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and drinking overdubs recorded on the 13th February 1979. It then appears in its fifth mix without the drum kit overdubs recorded on the 31st January 1979, the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and drinking overdubs recorded on the 13th February 1979.

It then appears in its sixth mix without the percussion overdubs recorded on the 31st January 1979, and the liquid pouring and drinking overdubs recorded on the 13th February 1979. It last appears in its seventh mix without the liquid pouring and drinking overdubs recorded on the 13th February 1979. 'Pete Post' is first presented in its original mix without the tambourine, cowbell, and lead vocal overdubs recorded on the 15th April 1979, the handclaps recorded on the 15th April 1979, the Lowrey organ overdubs recorded on the 16th April 1979, the acoustic-electric guitar overdubs recorded on the 16th April 1979, and the overdubs recorded on the 16th April 1979. It next appears in its second mix without the handclaps recorded on the 15th April 1979, the Lowrey organ overdubs recorded on the 16th April 1979, the acoustic-electric guitar overdubs recorded on the 16th April 1979, and the envelope overdubs recorded on the 16th April 1979.

It then appears in its third mix without the Lowrey organ overdubs recorded on the 16th April 1979, the acoustic-electric guitar overdubs recorded on the 16th April 1979, and the envelope overdubs recorded on the 16th April 1979. It then appears in its fourth mix without the acoustic-electric guitar overdubs recorded on the 16th April 1979, and the envelope overdubs recorded on the 16th April 1979. It last appears in its fifth mix without the envelope overdubs recorded on the 16th April 1979. 'Pot of Gold' is first presented in its original mix without the  and electric piano overdubs recorded on the 27th April 1979, and the  overdubs recorded on the 27th April 1979. It next appears in its second mix without the coin overdubs recorded on the 27th April 1979.

'A Dream of a Dream' is first presented in its original mix without the acoustic guitar, percussion, electric piano, and grand piano overdubs recorded on the 5th May 1979, the trumpet overdubs recorded on the 6th May 1979, the French horn overdubs recorded on the 7th May 1979, the tenor trombone overdubs recorded on the 8th May 1979, and the Moog synthesiser overdubs recorded on the 8th May 1979. It next appears in its second mix without the trumpet overdubs recorded on the 6th May 1979, the French horn overdubs recorded on the 7th May 1979, the tenor trombone overdubs recorded on the 8th May 1979, and the Moog synthesiser overdubs recorded on the 8th May 1979. It then appears in its third mix without the French horn overdubs recorded on the 7th May 1979, the tenor trombone overdubs recorded on the 8th May 1979, and the Moog synthesiser overdubs recorded on the 8th May 1979.

It then appears in its fourth mix without the tenor trombone overdubs recorded on the 8th May 1979, and the Moog synthesiser overdubs recorded on the 8th May 1979. It last appears in its fifth mix without the Moog synthesiser overdubs recorded on the 8th May 1979. 'Light as a Feather' is first presented in its original mix without the, electric piano, and acoustic guitar overdubs recorded on the 17th May 1979, and the Moog synthesiser overdubs recorded on the 18th May 1979. It next appears in its second mix without the Moog synthesiser overdubs recorded on the 18th May 1979. 'Backstabber' is first presented in its original mix without the percussion overdubs recorded on the 29th May 1979, the cello and acoustic-electric guitar overdubs recorded on the 30th May 1979, and the, electric piano, and Moog synthesiser overdubs recorded on the 31st May 1979.

It next appears in its second mix without the cello and acoustic-electric guitar overdubs recorded on the 30th May 1979, and the harmonium, electric piano, and Moog synthesiser overdubs recorded on the 31st May 1979. It last appears in its third mix without the harmonium, electric piano, and Moog synthesiser overdubs recorded on the 31st May 1979. '' is first presented in its original mix without the acoustic guitar, lead guitar,, and percussion overdubs recorded on the 21st June 1979, and without the grand piano, Hammond organ, and electric piano overdubs recorded on the 22nd June 1979. It next appears in its second mix without the grand piano, Hammond organ, and electric piano overdubs recorded on the 22nd June 1979.

'Pineapple Heart' is first presented in its original mix without the tape loops, tambourine, baritone saxophone, tenor saxophone, and alto saxophone overdubs recorded on the 26th June 1979, and the lead vocal overdubs recorded on the 26th June 1979. It next appears in its second mix without the lead vocal overdubs recorded on the 26th June 1979. 'Tropical Beach Hogs' is first presented in its original mix without the handclaps recorded on the 27th June 1979, the maraca and grand piano overdubs recorded on the 27th June 1979, and the tape loops recorded on the 28th June 1979. It next appears in its second mix without the maraca and grand piano overdubs recorded on the 27th June 1979, and the tape loops recorded on the 28th June 1979. It last appears in its third mix without the tape loops recorded on the 28th June 1979.

'Arrogance' is first presented in its original mix without the keyboard overdubs recorded on the 11th July 1979, and the percussion overdubs recorded on the 11th July 1979. 'Apocalypse' is first presented in its original mix without the keyboard overdubs recorded on the 11th July 1979, and the percussion overdubs recorded on the 11th July 1979. 'Arrogance' next appears in its second mix without the percussion overdubs recorded on the 11th July 1979. 'Apocalypse' next appears in its second mix without the percussion overdubs recorded on the 11th July 1979. 'Shaved Fish' is first presented in its original mix without the grand piano, vibraphone, alto saxophone, and overdubs recorded on the 27th July 1979, the sound effects recorded on the 28th July 1979, and the handclaps, maracas, and bongo drum overdubs recorded on the 29th July 1979.

It next appears in its second mix without the sound effects recorded on the 28th July 1979, and the handclaps, maracas, and bongo drum overdubs recorded on the 29th July 1979. It last appears in its third mix without the handclaps, maracas, and bongo drum overdubs recorded on the 29th July 1979. 'Sunny Jim' is presented in its original mix without the backing vocal and tambourine overdubs recorded on the 31st July 1979. 'Pineapple Disease' is first presented in its original mix without the and  overdubs recorded on the 15th September 1979, and the lead and harmony vocal overdubs recorded on the 24th September 1979. It next appears in its second mix without the lead and harmony vocal overdubs recorded on the 24th September 1979.

'Rotary Phone' is presented in its original mix without the electric piano, Lowrey organ, and overdubs recorded on the 10th October 1979. '' is presented in its original mix without the metal fire door overdubs recorded on the 17th November 1979. '' is presented in its original mix without the keyboard and percussion overdubs recorded on the 17th November 1979. 'Ghost Town' is presented in its original mix without the Moog synthesiser overdubs recorded on the 8th February 1980. 'Moment of Glory' is presented in its original mix without the Moog synthesiser overdubs recorded on the 9th December 1979. '' is presented in its original mix without the Moog synthesiser,, and flute overdubs recorded on the 12th December 1979.

'' is first presented in its original mix without the vocal and acoustic guitar overdubs recorded on the 13th December 1979, and the bass drum overdubs recorded on the 13th December 1979. It next appears in its second mix without the bass drum overdubs recorded on the 13th December 1979. '' is presented in its original mix without the backing vocal overdubs recorded on the 19th December 1979. 'Wind Farm' is presented in its original mix without the Moog synthesiser, keyboard, and flute overdubs recorded on the 3rd January 1980. 'Fire! Fire! Fire!' is presented in its original mix without the military snare drum, military bass drum,, and overdubs recorded on the 31st January 1979. '' is presented in its original mix without the Moog synthesiser overdubs recorded on the 3rd April 1980. 'Get on Top' is presented in its original mix without the Moog synthesiser overdubs recorded on the 3rd April 1980.

15th March 2012
Album Release — Anthology 5

The fifth album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased.

'' is presented in its original mix without the lead vocal, tenor saxophone, and alto saxophone overdubs recorded on the 28th May 1980. '' is presented in its original mix without the lead vocal, backing vocal, and handclaps recorded on the 30th May 1980. 'Instant Carbonara' is presented in its original mix without the backing vocal, tambourine, electric piano, grand piano, handclap, and overdubs recorded on the 10th June 1980. 'My Girlfriend' is presented in its original mix without the Moog synthesiser overdubs recorded on the 9th August 1980. 'Heartbreaker' is presented in its original mix without the tape loops recorded on the 9th August 1980. 'Verdanna Springs' is presented in its original mix without the rainstick, sound effects, and tape loops recorded on the 15th July 1980.

'Self-Centred Heart' is presented in its original mix without the tape loops recorded on the 10th August 1980. 'I Was Born to Do This' is presented in its original mix without the sound effects and tape loops recorded on the 21st August 1980. 'Blast Off' is presented in its original mix without the and  overdubs recorded on the 8th September 1980. 'Key Lime Pie' is first presented in its original mix without the Moog synthesiser,, acoustic-electric guitar overdubs recorded on the 21st September 1980, and the handclaps recorded on the 22nd September 1980. It next appears in its second mix without the handclaps recorded on the 22nd September 1980. 'Sweet Devils' is presented in its original mix without the cello, Moog synthesiser, violin, and viola overdubs recorded on the 30th August 1981.

'Egg Rolls' is first presented in its original mix without the cello, keyboard, Moog synthesiser,, and acoustic guitar overdubs recorded on the 25th August 1981, and the lead vocal overdubs recorded on the 25th August 1981. 'Golf Caddy' is first presented in its original mix without the cello, keyboard, and overdubs recorded on the 31st August 1981, and the Moog synthesiser overdubs recorded on the 1st September 1981. 'Superhero' is presented in its original mix without the cello, Moog synthesiser, and keyboard overdubs recorded on the 2nd September 1981. 'Dirty Numbers' is presented in its original mix without the cello, keyboard, and percussion overdubs recorded on the 7th September 1981. 'Patrol Officer' is presented in its original mix without the cello,, keyboard, and snare drum overdubs recorded on the 5th September 1981.

'Break Down' is presented in its original mix without the cello,, grand piano, handclaps, percussion, and lead vocal overdubs recorded on the 9th August 1981. 'Cherry Blues' is presented in its original mix without the cello, electric piano, tenor saxophone, trumpet, oboe, alto saxophone, and overdubs recorded on the 11th September 1981. 'Party DJ' is presented in its original mix without the turntable, keyboard, Moog synthesiser, and lead vocal overdubs recorded on the 28th August 1981. 'I Don't Want to Be a Womaniser' is presented in its original mix without the acoustic guitar, maracas, electric slide guitar, tambourine, and alto saxophone overdubs recorded on the 9th September 1981.

'Don Juan' is presented in its original mix without the cello, Moog synthesiser, keyboard, tambourine, and lead vocal overdubs recorded on the 10th August 1981. 'Egg Rolls' next appears in its second mix without the lead vocal overdubs recorded on the 25th August 1981. 'Golf Caddy' next appears in its second mix without the Moog synthesiser overdubs recorded on the 1st September 1981. 'Beach Ball' is first presented in its original mix without the drum kit,, and percussion overdubs recorded on the 14th September 1981, and the tape loops and keyboard overdubs recorded on the 15th September 1981. It next appears in its second mix without the tape loops and keyboard overdubs recorded on the 15th September 1981.

'I'm Nothing Without You Girl' is presented in its original mix without the tape loops, drum kit, foot tapping, tambourine, and cowbell overdubs recorded on the 17th September 1981. 'Dream of Love' is presented in its original mix without the drum kit, Lowrey organ, and tambourine overdubs recorded on the 19th September 1981. 'Fiery Fossil' is first presented in its original mix without the drum kit,, and B♭ Clarinet overdubs recorded on the 21st September 1981, and the harmonium overdubs recorded on the 22nd September 1981. It next appears in its second mix without the harmonium overdubs recorded on the 22nd September 1981. 'Cold Fish' is first presented in its original mix without the drum kit, grand piano, and percussion overdubs recorded on the 24th September 1981, and the tape loops and percussion overdubs recorded on the 25th September 1981.

It next appears in its second mix without the tape loops and percussion overdubs recorded on the 25th September 1981. 'Sick and Tired of Travelling' is presented in its original mix without the grand piano and electric slide guitar overdubs recorded on the 27th September 1981. 'A World without Romance' is first presented in its original mix without the grand piano, grand piano, and French horn overdubs recorded on the 29th September 1981, and the trumpet overdubs recorded on the 30th September 1981. It next appears in its second mix without the trumpet overdubs recorded on the 30th September 1981. 'House Wave' is presented in its original mix without the, music sequencer, and Moog synthesiser overdubs recorded on the 2nd October 1981.

'Savant Supreme' is first presented in its original mix without the electric piano, backing vocal, Moog synthesiser, and alto saxophone overdubs recorded on the 4th October 1981, and the Lowrey organ overdubs recorded on the 5th October 1981. It next appears in its second mix without the Lowrey organ overdubs recorded on the 5th October 1981. 'Marriage Nightmare' is presented in its original mix without the and electric piano overdubs recorded on the 7th October 1981. 'Dusk Dawn' is presented in its original mix without the drum machine, music sequencer, and Moog synthesiser overdubs recorded on the 9th October 1981. 'Drill Instructor' is first presented in its original mix without the drum kit, backing vocal, grand piano, and tenor trombone overdubs recorded on the 11th October 1981, and the overdubs recorded on the 12th October 1981.

It next appears in its second mix without the pistol-grip corded drilling machine overdubs recorded on the 12th October 1981. 'Roommate or Friend?' is presented in its original mix without the drum kit, electric piano, metal fire door, and maraca overdubs recorded on the 14th October 1981. 'Rights from Wrongs' is presented in its original mix without the Lowrey organ overdubs recorded on the 16th October 1981. 'Chaos and Corruption' is presented in its original mix without the cello, grand piano, electric spinet harpsichord, and lead vocal overdubs recorded on the 21st October 1981. 'This is Romance' is presented in its original mix without the cello, keyboard, and overdubs recorded on the 23rd October 1981. 'Romantic Tendencies' is presented in its original mix	without the electric cello, Moog synthesiser, and B♭ Clarinet overdubs recorded on the 25th October 1981.

'Love Me Girl' is presented in its original mix without the drum kit, foot tapping, and tape loop overdubs recorded on the 27th October 1981. 'Moolah Mogul' is presented in its original mix without the drum machine, Moog synthesiser, music sequencer, and lead vocal overdubs recorded on the 29th October 1981. 'Moonlight Bay' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 1st January 1982. 'Carnival' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 1st January 1982. 'Electronic Blues' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 1st January 1982.

'Hailstones' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 1st January 1982. 'Kōkako' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 2nd January 1982. 'Funky Rhythm' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 2nd January 1982. 'Pigeon Post' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 2nd January 1982. 'Sub-Station' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 2nd January 1982. 'Vintage Days' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 3rd January 1982.

'Bishops and Knights' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 3rd January 1982. 'Knee-Length Skirt' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 3rd January 1982. 'Cherry Tree' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 3rd January 1982. 'Woodland Drive' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 4th January 1982.

17th June 2012
Album Release — Anthology 6

The sixth album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though all the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased.

'Viking Helmet' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 4th January 1982. 'Executive Putter' is presented in its original mix without the Moog synthesiser and music sequencer overdubs recorded on the 4th January 1982. '' is presented in its original mix without the backing vocal,, bongo drums, conga drums, , and flute overdubs recorded on the 6th October 1998.

'Mochaccino Springs' is first presented in its original mix without the tabla, tambura, and sitar overdubs recorded on the 8th January 1999, the cello and double bass overdubs recorded on the 10th January 1999, the harmony vocal, fuzzed electric guitar, and backing vocal overdubs recorded on the 11th January 1999, the lead vocal overdubs recorded on the 11th January 1999, the bass guitar overdubs recorded on the 31st March 1999, and the drum machine and music sequencer overdubs recorded on the 19th May 1999. It next appears in its second mix without the cello and double bass overdubs recorded on the 10th January 1999, the harmony vocal, fuzzed electric guitar, and backing vocal overdubs recorded on the 11th January 1999, the lead vocal overdubs recorded on the 11th January 1999, the bass guitar overdubs recorded on the 31st March 1999, and the drum machine and music sequencer overdubs recorded on the 19th May 1999.

It then appears in its third mix without the harmony vocal, fuzzed electric guitar, and backing vocal overdubs recorded on the 11th January 1999, the lead vocal overdubs recorded on the 11th January 1999, the bass guitar overdubs recorded on the 31st March 1999, and the drum machine and music sequencer overdubs recorded on the 19th May 1999. It then appears in its fourth mix without the lead vocal overdubs recorded on the 11th January 1999, the bass guitar overdubs recorded on the 31st March 1999, and the drum machine and music sequencer overdubs recorded on the 19th May 1999. It then appears in its fifth mix without the bass guitar overdubs recorded on the 31st March 1999, and the drum machine and music sequencer overdubs recorded on the 19th May 1999.

'Ocean Ripple' is first presented in its original mix without the lead vocal, backing vocal, and percussion overdubs recorded on the 21st March 1999, the backing vocal overdubs recorded on the 21st March 1999, the cello, electric piano, violin, viola, double bass, and pedal harp overdubs recorded on the 5th April 1999, and the   overdubs recorded on the 13th April 1999. 'Mortar Skies' is first presented in its original mix without the lead vocal and percussion overdubs recorded on the 21st March 1999, the backing vocal, acoustic guitar, tambourine, electric piano, Lowrey organ, clavinet, tambura, harmonium, and overdubs recorded on the 18th April 1999, the bass guitar, semi-acoustic guitar, maracas, , grand piano, and  overdubs recorded on the 23rd April 1999, the slide guitar overdubs recorded on the 4th May 1999, and the  overdubs recorded on the 7th December 1999.

'Paintball Attendant' is first presented in its original mix without the lead vocal and percussion overdubs recorded on the 21st March 1999, and the, violin, viola, and cello overdubs recorded on the 25th March 1999. 'Striped Cone' is first presented in its original mix without the percussion overdubs recorded on the 21st March 1999, and the bass guitar, acoustic guitar, and drum kit overdubs recorded on the 8th April 1999. 'Palette Knife' is first presented in its original mix without the keyboard, backing vocal, grand piano, and overdubs recorded on the 9th May 1999, and the  overdubs recorded on the 7th December 1999. 'Ocean Ripple' next appears in its second mix without the backing vocal overdubs recorded on the 21st March 1999, the cello, electric piano, violin, viola, double bass, and pedal harp overdubs recorded on the 5th April 1999, and the drinking straw and steel pan with water overdubs recorded on the 13th April 1999.

'Mortar Skies' next appears in its second mix without the backing vocal, acoustic guitar, tambourine, electric piano, Lowrey organ, clavinet, tambura, harmonium, and zither overdubs recorded on the 18th April 1999, the bass guitar, semi-acoustic guitar, maracas, electric guitar with tremolo, grand piano, and castanet overdubs recorded on the 23rd April 1999, the slide guitar overdubs recorded on the 4th May 1999, and the mortar mixing overdubs recorded on the 7th December 1999. 'Paintball Attendant' next appears in its second mix without the paintball gun, violin, viola, and cello overdubs recorded on the 25th March 1999. 'Ocean Ripple' next appears in its third mix without the cello, electric piano, violin, viola, double bass, and pedal harp overdubs recorded on the 5th April 1999, and the drinking straw and steel pan with water overdubs recorded on the 13th April 1999.

'Striped Cone' next appears in its second mix without the bass guitar, acoustic guitar, and drum kit overdubs recorded on the 8th April 1999. 'Mochaccino Springs' last appears in its sixth mix without the drum machine and music sequencer overdubs recorded on the 19th May 1999. 'Ocean Ripple' last appears in its fourth mix without the drinking straw and steel pan with water overdubs recorded on the 13th April 1999. 'Mortar Skies' next appears in its third mix without the bass guitar, semi-acoustic guitar, maracas, electric guitar with tremolo, grand piano, and castanet overdubs recorded on the 23rd April 1999, the slide guitar overdubs recorded on the 4th May 1999, and the mortar mixing overdubs recorded on the 7th December 1999.

It then appears in its fourth mix without the slide guitar overdubs recorded on the 4th May 1999, and the mortar mixing overdubs recorded on the 7th December 1999. It last appears in its fifth mix without the mortar mixing overdubs recorded on the 7th December 1999. 'Palette Knife' next appears in its second mix without the knife overdubs recorded on the 7th December 1999. 'Stained Glass' is first presented in its original mix without the acoustic guitar, electric guitar, and drum kit overdubs recorded on the 27th July 1999, the cello, keyboard, and drum kit overdubs recorded on the 5th August 1999, and the cloth and window overdubs recorded on the 7th December 1999. 'Mosaic Tiles' is first presented in its original mix without the, slide guitar, and mellotron overdubs recorded on the 25th July 1999, and the overdubs recorded on the 7th December 1999.

'Craquelure' is first presented in its original mix without the acoustic guitar overdubs recorded on the 20th November 1999, the acoustic rhythm guitar and slide guitar overdubs recorded on the 30th November 1999, and the cello, oboe, alto saxophone, violin, viola, French horn, and trumpet overdubs recorded on the 1st December 1999. 'Diffuse Glow' is first presented in its original mix without the , tambura, maracas, and  overdubs recorded on the 22nd November 1999, the sitar and  overdubs recorded on the 27th November 1999, and the Moog synthesiser overdubs recorded on the 7th December 1999. 'Mosaic Tiles' next appears in its second mix without the tile overdubs recorded on the 7th December 1999.

'Stained Glass' next appears in its second mix without the cello, keyboard, drum kit, and keyboard overdubs recorded on the 5th August 1999, and the cloth and window overdubs recorded on the 7th December 1999. 'Tie-Dyed Silk' is presented in its original mix without the cello, violin, and viola overdubs recorded on the 1st December 1999. 'Stained Glass' last appears in its third mix without the cloth and window overdubs recorded on the 7th December 1999. 'Angled Strokes' is first presented in its original mix without the lead vocal overdubs recorded on the 20th August 1999, the cello, violin, viola, double bass, and pedal harp overdubs recorded on the 16th November 1999, and the overdubs recorded on the 7th December 1999.

It next appears in its second mix without the cello, violin, viola, double bass, and pedal harp overdubs recorded on the 16th November 1999, and the paint brush overdubs recorded on the 7th December 1999. 'Polar Coordinates' is presented in its original mix without the vibraphone and percussion overdubs recorded on the 13th November 1999. 'Conté Crayon' is first presented in its original mix without the tambura, vibraphone, conga drums, electric piano, and backing vocal overdubs recorded on the 25th November 1999, the lead vocal overdubs recorded on the 25th November 1999, the handclaps recorded on the 28th November 1999, the grand piano, rhythm guitar, and Lowrey organ overdubs recorded on the 4th December 1999, the electric piano,, tenor trombone, French horn, trumpet, and flute overdubs recorded on the 5th December 1999, and the overdubs recorded on the 7th December 1999.

'Charcoal Bubbles' is first presented in its original mix without the backing vocal, tambourine, harmony vocal, Lowrey organ, and bongo drum overdubs recorded on the 2nd December 1999, the tape loops, backing vocal, maracas, and overdubs recorded on the 3rd December 1999, and the bubble blowing overdubs recorded on the 7th December 1999. 'Angled Strokes' last appears in its third mix without the paint brush overdubs recorded on the 7th December 1999. 'Craquelure' next appears in its second mix without the acoustic rhythm guitar and slide guitar overdubs recorded on the 30th November 1999, and the cello, oboe, alto saxophone, violin, viola, French horn, and trumpet overdubs recorded on the 1st December 1999.

'Diffuse Glow' next appears in its second mix without the sitar and tom-tom drum overdubs recorded on the 27th November 1999, and the Moog synthesiser overdubs recorded on the 7th December 1999. 'Conté Crayon' next appears in its second mix without the lead vocal overdubs recorded on the 25th November 1999, the handclaps recorded on the 28th November 1999, the grand piano, rhythm guitar, and Lowrey organ overdubs recorded on the 4th December 1999, the pianet, virginal, tenor trombone, French horn, trumpet, and flute overdubs recorded on the 5th December 1999, and the crayon overdubs recorded on the 7th December 1999. It next appears in its third mix without the handclaps recorded on the 28th November 1999, the grand piano, rhythm guitar, and Lowrey organ overdubs recorded on the 4th December 1999, the pianet, virginal, tenor trombone, French horn, trumpet, and flute overdubs recorded on the 5th December 1999, and the crayon overdubs recorded on the 7th December 1999.

'Diffuse Glow' last appears in its third mix without the Moog synthesiser overdubs recorded on the 7th December 1999. 'Conté Crayon' next appears in its fourth mix without the grand piano, rhythm guitar, and Lowrey organ overdubs recorded on the 4th December 1999, the pianet, virginal, tenor trombone, French horn, trumpet, and flute overdubs recorded on the 5th December 1999, and the crayon overdubs recorded on the 7th December 1999. 'Craquelure' last appears in its third mix without the cello, oboe, alto saxophone, violin, viola, French horn, and trumpet overdubs recorded on the 1st December 1999. 'Charcoal Bubbles' next appears in its second mix without the tape loops, backing vocal, maracas, and djembe overdubs recorded on the 3rd December 1999, and the bubble blowing overdubs recorded on the 7th December 1999.

It last appears in its third mix without the bubble blowing overdubs recorded on the 7th December 1999. 'Conté Crayon' next appears in its fifth mix without the pianet, virginal, tenor trombone, French horn, trumpet, and flute overdubs recorded on the 5th December 1999, and the crayon overdubs recorded on the 7th December 1999. It last appears in its sixth mix without the crayon overdubs recorded on the 7th December 1999. '' is presented in its original mix without the lap steel guitar overdubs recorded on the 28th February 2000. '' is presented in its original mix without the percussion overdubs recorded on the 28th February 2000. '' is presented in its original mix without the electric guitar overdubs recorded on the 28th February 2000. '' is presented in its original mix without the harpsichord and B♭ Clarinet overdubs recorded on the 9th May 2000, and the tenor trombone and overdubs recorded on the 12th May 2000.

19th November 2012
Album Release — Anthology 7

The seventh album of 's Anthology series was released on this day. It featured 3 discs containing numerous early mixes and versions of previously released tracks. Though most of the tracks on the album had already been released, each of the mixes of the songs had been previously unreleased. The album featured two previously unreleased recordings. A cover of ' song  and a cover of a song  that had been previously covered by.

'' is presented in its second mix without the tenor trombone and tuba overdubs recorded on the 12th May 2000. '' is first presented in its original mix without the trumpet, snare drum, alto saxophone, bass drum, and cymbal overdubs recorded on the 19th August 2001, the B♭ Clarinet and cymbal overdubs recorded on the 25th August 2001, and the euphonium, sousaphone, tuba, trumpet,, flute, tenor trombone, and French horn overdubs recorded on the 25th August 2001. It next appears in its second mix without the B♭ Clarinet and cymbal overdubs recorded on the 25th August 2001, and the euphonium, sousaphone, tuba, trumpet, cornet, flute, tenor trombone, and French horn overdubs recorded on the 25th August 2001. It last appears in its third mix without the euphonium, sousaphone, tuba, trumpet, cornet, flute, tenor trombone, and French horn overdubs recorded on the 25th August 2001.

'Blossom of Romance' is presented in its original mix without the drum kit and overdubs recorded on the 20th February 2005. 'Blissful Night' is first presented in its original mix without the drum kit overdubs recorded on the 20th February 2005, and the electric guitar and rhythm guitar overdubs recorded on the 10th August 2005. It next appears in its second mix without the electric guitar and rhythm guitar overdubs recorded on the 10th August 2005. 'Would You Forgive Me?' is presented in its original mix without the tambourine and overdubs recorded on the 23rd June 2005. 'Bored to Death' is presented in its original mix without the grand piano and keyboard overdubs recorded on the 30th June 2005, and the cello, violin, and viola overdubs recorded on the 13th July 2005. 'Tough Climbing' is presented in its original mix without the synthesiser overdubs recorded on the 16th June 2005. 'Light the Fire' is presented in its original mix without the grand piano overdubs recorded on the 28th July 2005. 'French Vanilla Sky' is presented in its original mix without the flute overdubs recorded on the 22nd July 2005. 'Night Life' is first presented in its original mix without trumpet, keyboard, and alto saxophone overdubs recorded on the 16th September 2005, and the alto saxophone and tenor trombone overdubs recorded on the 23rd September 2005. It next appears in its second mix without the alto saxophone and tenor trombone overdubs recorded on the 23rd September 2005.

'Boutique Shop' is presented in its original mix without the bass guitar overdubs recorded on the 27th December 2005. '' is first presented in its original mix without the alto saxophone and percussion overdubs recorded on the 13th November 2009, the baritone saxophone overdubs recorded on the 14th November 2009, and the tenor saxophone overdubs recorded on the 14th November 2009. It next appears in its second mix without the baritone saxophone overdubs recorded on the 14th November 2009, and the tenor saxophone overdubs recorded on the 14th November 2009. It last appears in its third mix without the tenor saxophone overdubs recorded on the 14th November 2009.

'' is first presented in its original mix without the keyboard and grand piano overdubs recorded on the 26th May 2010, the electric piano overdubs recorded on the 27th May 2010, the grand piano overdubs recorded on the 28th May 2010, the percussion overdubs recorded on the 28th May 2010, electric guitar and acoustic guitar overdubs recorded on the 29th May 2010, the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It next appears in its second mix without the electric piano overdubs recorded on the 27th May 2010, the grand piano overdubs recorded on the 28th May 2010, the percussion overdubs recorded on the 28th May 2010, electric guitar and acoustic guitar overdubs recorded on the 29th May 2010, the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its third mix without the grand piano overdubs recorded on the 28th May 2010, the percussion overdubs recorded on the 28th May 2010, electric guitar and acoustic guitar overdubs recorded on the 29th May 2010, the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its fourth mix without the percussion overdubs recorded on the 28th May 2010, electric guitar and acoustic guitar overdubs recorded on the 29th May 2010, the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It next appears in its fifth mix without the electric guitar and acoustic guitar overdubs recorded on the 29th May 2010, the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its sixth mix without the rhythm guitar overdubs recorded on the 30th May 2010, the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its seventh mix without the bass guitar overdubs recorded on the 31st May 2010, the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It next appears in its eighth mix without the lead guitar overdubs recorded on the 6th June 2010, the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its ninth mix without the drum kit recorded on the 9th June 2010, the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010. It then appears in its tenth mix without the percussion overdubs recorded on the 9th June 2010, the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It next appears in its eleventh mix without the B♭ Clarinet overdubs recorded on the 11th June 2010, the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010. It then appears in its twelfth mix without the French horn overdubs recorded on the 11th June 2010, the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its thirteenth mix without the trumpet overdubs recorded on the 13th June 2010, the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010. It next appears in its fourteenth mix without the alto saxophone overdubs recorded on the 15th June 2010, the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010.

It then appears in its fifteenth mix without the tenor saxophone overdubs recorded on the 17th June 2010, the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010. It then appears in its sixteenth mix without the baritone saxophone overdubs recorded on the 20th June 2010, and the woodwind overdubs recorded on the 23rd June 2010. It last appears in its seventeenth mix without the woodwind overdubs recorded on the 23rd June 2010. '' is first presented in its original mix without the percussion and synthesiser overdubs recorded on the 19th December 2010. It next appears in its completed form with the percussion and synthesiser overdubs recorded on the 19th December 2010.