Cherry Beat - Recording Sessions (Part Four - The Band's Third Album)

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~ Cherry Beat ~
Characters - Relationships - Session Musicians - Songs
~ Recording Sessions ~
Part One - Part Two - Part Three - Part Four - Part Five - Part Six - Part Seven - Part Eight
Part Nine - Part Ten - Part Eleven - Part Twelve - Part Thirteen - Part Fourteen - Part Fifteen
Part Sixteen - Part Seventeen - Part Eighteen - Part Nineteen - Part Twenty
Part Twenty-One - Part Twenty-Two - Part Twenty-Three

Early - May 1973

So far, the band had released five number-one singles, which could hardly be called a failure. Cherry Beat's first album had reached number-five in late 1971, and stayed there for three consecutive weeks. Sadly their second album Show Business released in 1972 only reached number-twenty-five for one week before it fell off the charts.

Cherry Beat's second album by far reached the most negative critical response out of all their albums. Their critics scolded them for covering popular songs by other artists for their albums without bothering to make sure that all the songs they covered fitted comfortably together on their records.

Indeed the band had chosen a diverse selection of covers for their second album. 1950's rock and roll songs 'Peggy Sue', 'The Girl Can't Help It', and 'Clarabella'. 1970's hard rock songs 'Immigrant Song', and 'Smoke on the Water'. And a 1970's jazz and soul composition 'The Candy Man'.

One critic was reported to have said 'Songs like 'The Candy Man', 'Immigrant Song', and 'Peggy Sue', don't belong together on the same album, not with rock ballads like 'The Ballad of Louise Starker''. The critical response of their second album eventually pressured the band into splitting up, but their music supervisor and producer Chudley Maron insisted that they wouldn't put the breaks on yet.

'Take a break from recording professionally, and wait at least ten months before you resume recording subsequent albums and singles' he'd say 'I personally don't think you need to be releasing covers on your records, you've proven that you're capable of writing your own songs, look at how many number-one singles you've already got!'

Chudley's words certainly helped to boost the band's confidence. They took his advice and waited at least ten months before they would start recording tracks for their next album. They would jam together on numerous occasions, but let their professional careers rest in the meantime.

16th May 1973

This was the band's first official recording session for their third album. The band members of Cherry Beat would still record covers, but they were confident that they would not need to release any more covers on their albums. Between June 1972 and May 1973, the band had written enough songs to make at least one album and two singles. Chudley Maron wrote a couple of songs and offered them to the band to record, but the members of the band, particularly Peter and Sam firmly said 'We're not recording those songs for our next album, but we'll consider recording them for our fourth album instead'.

On this day the band recorded two original compositions. Both of them were rock and roll styled songs, as they were continuing to write and record songs in their rock and roll vein, although they often experimented with blues-rock, hard rock, power pop, and boogie rock. 'Nips of Pity' and 'Squeeze Me Nice' were both rock and roll songs written solely by Peter McDonald. Both songs would make the band's third album.

'Nips of Pity'

Album: Still In Business
Released: 11th November 1973
Recorded: 16th May 1973, 12:25 PM, Dohrn Studios, Oxford, Oxfordshire, England

1st June 1973, 2:03 PM, Dohrn Studios, Oxford, Oxfordshire, England [1]

Duration: 0:03:20
Genre: Boogie Rock, Rock and Roll
Label: Sky Dive Records
Author: Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12), Acoustic-Electric Rhythm Guitar (1970 Gibson J-200) [2]
Peter McDonald — Vocal, Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Tambourine [3]
Sam Whitby — Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325), Electric Piano (1965 Hohner Pianet C) [4]

'Squeeze Me Nice'

Album: Still In Business
Released: 11th November 1973
Recorded: 16th May 1973, 1:03 PM, Dohrn Studios, Oxford, Oxfordshire, England

8th June 1973, 2:48 PM, 4:56 PM, 7:28 PM, Dohrn Studios, Oxford, Oxfordshire, England [5][6][7]

Duration: 0:03:34
Genre: Boogie Rock, Rock and Roll
Label: Sky Dive Records
Author: Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12)
Peter McDonald — Double-tracked lead vocal [8], Double-tracked harmony vocal [9][10], Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Acoustic-Electric Rhythm Guitar (1970 Gibson J-160E) [11]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Electric Piano (1965 Hohner Pianet C) [12]

23rd May 1973

The band members were in the studio again recording two more original rock and roll compositions. 'Tights of Pain' had been written solely by Sam Whitby, while Peter McDonald had helped him to polish off the rough edges of his composition 'Shake Those Hips'. 'Tights of Pain' would be featured on the band's third album, while 'Shake Those Hips' became the B-Side of the band's next single.

'Tights of Pain'

Album: Still In Business
Released: 11th November 1973
Recorded: 23rd May 1973, 11:24 AM, Dohrn Studios, Oxford, Oxfordshire, England

14th June 1973, 10:33 AM, Dohrn Studios, Oxford, Oxfordshire, England [13]

Duration: 0:03:08
Genre: Boogie Rock, Rock and Roll
Label: Sky Dive Records
Author: Sam Whitby
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12)
Peter McDonald — Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Acoustic-Electric Rhythm Guitar (1970 Gibson J-160E) [14]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Tambourine [3]
Sam Whitby — Lead vocal, Harmony vocal [15], Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Hammond Organ (1969 RT-3) [16]

'Shake Those Hips'

A-Side: 'Shake, Rattle and Die'
Chart Position: #39 (UK Single)
#44 (US Single)
Album: Still In Business [1993 Compact Disc Reissue]
Released: 7th October 1973 (Single Release)
6th April 1993 (Album Release)
Recorded: 23rd May 1973, 12:45 PM, Dohrn Studios, Oxford, Oxfordshire, England

11th June 1973, 3:22 PM, Dohrn Studios, Oxford, Oxfordshire, England [17]

Duration: 0:03:10
Genre: Boogie Rock, Rock and Roll
Label: Sky Dive Records
Author: Sam Whitby, with Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1970 Gretsch Country Gentleman), Harmonica (Hohner C Chromatic) [18]
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [19]
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325), Hammond Organ (1969 RT-3) [20]

1st June 1973

Sam Whitby, Torquil Dohrn, and Devon O'Connell add electric piano, acoustic-electric rhythm guitar, and tambourine overdubs to 'Nips of Pity', respectively.

4th June 1973

The band members were in the studio again recording two more original rock and roll compositions. 'Tunnel Walk' had been written solely by Sam Whitby, while what would subsequently become known as 'Dark Power' had been written solely by Peter McDonald.

The band would later be forced to rerecord the second of the two songs, and dispose of the original recording, upon discovering that the original title of the song had a meaning that may have taken offence, had it been released. To avoid offence, the track was rerecorded under the new title 'Dark Power'.

Peter McDonald said that he never intended to write a song with such a title. It was supposed to mean independence while being in the dark as opposed to independence in the light.

'Tunnel Walk'

Album: Still In Business
Released: 11th November 1973
Recorded: 4th June 1973, 3:08 PM, Dohrn Studios, Oxford, Oxfordshire, England

5th June 1973, 2:04 PM, Dohrn Studios, Oxford, Oxfordshire, England [21]

Duration: 0:03:15
Genre: Blues-Rock, Rock and Roll
Label: Sky Dive Records
Author: Sam Whitby
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1970 Gretsch Country Gentleman), Harmonica (Hohner C Chromatic) [18]
Peter McDonald — Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Vocal, Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Hammond Organ (1969 RT-3) [22]

5th June 1973

Sam Whitby and Torquil Dohrn add Hammond organ and harmonica overdubs to 'Tunnel Walk' respectively.

8th June 1973

Peter McDonald records harmony vocal and acoustic-electric rhythm guitar overdubs for 'Squeeze Me Nice'. He also double-tracks his lead and harmony vocals. Sam Whitby also records an electric piano overdub for the song.

11th June 1973

Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add Hammond organ, harmonica, and percussion overdubs to 'Shake Those Hips'.

14th June 1973

Peter McDonald adds an acoustic-electric rhythm guitar overdub to 'Tights of Pain'. Sam Whitby records harmony vocal and Hammond organ overdubs. And Devon O'Connell records a tambourine overdub.

18th June 1973

The band members were in the studio again recording two more original compositions. 'Rock and Roll Theme' had been written primarily by Peter McDonald, with input from Sam Whitby.

'Rock and Roll Theme' had originally been considered as a B-Side to 'Shake, Rattle and Die', but since 'Shake Those Hips' was omitted from the final pressing of the band's third album, it was released as the B-Side instead.

'Jeanie-Lee' was primarily written by Torquil Dohrn, with input from Peter McDonald. This made 'Jeanie-Lee' the first recorded Torquil Dohrn composition to be commercially released, although the first Dohrn composed song to appear on Still In Business was 'How Could You?'.

'Rock and Roll Theme'

Album: Still In Business
Released: 11th November 1973
Recorded: 18th June 1973, 10:22 AM, Dohrn Studios, Oxford, Oxfordshire, England

23rd June 1973, 2:45 PM, Dohrn Studios, Oxford, Oxfordshire, England [23]
24th August 1973, 5:29 PM, Dohrn Studios, Oxford, Oxfordshire, England [24]

Duration: 0:03:45
Genre: Hard Rock, Rock and Roll
Label: Sky Dive Records
Author: Peter McDonald, with Sam Whitby
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Electric Lead Guitar (1960 Gibson Les Paul Standard)
Peter McDonald — Double-tracked lead vocal [25], Electric Bass Guitar (1970 Rickenbacker 4001S), Cello (Pizzicato) [26]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Cowbell [27]
Sam Whitby — Double-tracked harmony vocal [28], Electric Rhythm Guitar (1971 Fender Stratocaster), Electric Piano (1965 Hohner Pianet C) [29]

'Jeanie-Lee'

Album: Still In Business
Released: 11th November 1973
Recorded: 18th June 1973, 2:49 PM, Dohrn Studios, Oxford, Oxfordshire, England

5th July 1973, 3:48 PM, Dohrn Studios, Oxford, Oxfordshire, England [30]
6th July 1973, 9:27 AM, Dohrn Studios, Oxford, Oxfordshire, England [31]
27th August 1973, 4:22 PM, Dohrn Studios, Oxford, Oxfordshire, England [32]

Duration: 0:04:21
Genre: Glam Rock, Jazz Fusion
Label: Sky Dive Records
Author: Torquil Dohrn, with Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Double-tracked lead vocal [33], Electric Lead Guitar (1971 Fender Stratocaster), Baritone Saxophone [34], Tenor Saxophone [35]
Peter McDonald — Double-tracked harmony vocal [36], Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [37]

23rd June 1973

Peter McDonald, Sam Whitby, and Devon O'Connell respectively add cello, electric piano, and cowbell overdubs to 'Rock and Roll Theme'. The former two also double-track their respective lead and harmony vocals.

4th July 1973

The band members were in the studio again recording two more original compositions. 'Lil-Emmaline' had been written primarily by Peter McDonald, with input from Torquil Dohrn. 'Chaos Symphony' was solely a Peter McDonald composition.

'Chaos Symphony', along with 'Rock and Roll Theme', had originally been considered as a B-Side to 'Shake, Rattle and Die', but since 'Shake Those Hips' was omitted from the final pressing of the band's third album, it was released as the B-Side instead.

'Lil-Emmaline'

Album: Still In Business
Released: 11th November 1973
Recorded: 4th July 1973, 9:21 AM, Dohrn Studios, Oxford, Oxfordshire, England

13th July 1973, 8:01 PM, Dohrn Studios, Oxford, Oxfordshire, England [38]
31st August 1973, 10:31 AM, Dohrn Studios, Oxford, Oxfordshire, England [39]

Duration: 0:03:20
Genre: Glam Rock, Jazz Fusion
Label: Sky Dive Records
Author: Peter McDonald, with Torquil Dohrn
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Double-tracked harmony vocal [40], Electric Lead Guitar (1971 Fender Stratocaster), Alto Saxophone (middle register) [41]
Peter McDonald — Double-tracked lead vocal [42], Electric Bass Guitar (1972 Fender VI), Cello (Pizzicato) [43]
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood), Cowbell [44]
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [37]
Erich Phong — B♭ Trumpet (high register) [45]
Bob Brannon — Oboe (low register) [46]

'Chaos Symphony'

Album: Still In Business
Released: 11th November 1973
Recorded: 4th July 1973, 10:39 AM, Dohrn Studios, Oxford, Oxfordshire, England

24th July 1973, 4:35 PM, Dohrn Studios, Oxford, Oxfordshire, England [47]
4th September 1973, 8:11 PM, Dohrn Studios, Oxford, Oxfordshire, England [48]

Duration: 0:03:09
Genre: Hard Rock, Power Pop
Label: Sky Dive Records
Author: Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12), Moog Synthesiser (1972 IIIp) [49]
Peter McDonald — Double-tracked vocal [50], Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Cello (Pizzicato) [51]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [52]
Sam Whitby — Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [37]
Chudley Maron — Vibraphone [53]

5th July 1973

Sam Whitby and Torquil Dohrn respectively record Lowrey organ and baritone saxophone overdubs for 'Jeanie-Lee'.

6th July 1973

Torquil Dohrn records a tenor saxophone overdub for 'Jeanie-Lee'.

9th July 1973

The band members were in the studio again recording two more original compositions. 'How Could You?' was the first song the band recorded to be written solely by Torquil Dohrn, the first Torquil composition to appear on a Cherry Beat record, and the first song Cherry Beat recorded in which Torquil took sole credit as a songwriter.

The band also rerecorded 'Dark Power' on this day, after discovering that the song's original title meant something that listeners would take offence, had the original recording been released. It was written solely by Peter McDonald.

'How Could You?'

Album: Still In Business
Released: 11th November 1973
Recorded: 9th July 1973, 4:23 PM, Dohrn Studios, Oxford, Oxfordshire, England

29th July 1973, 11:43 AM, Dohrn Studios, Oxford, Oxfordshire, England [54]

Duration: 0:03:23
Genre: Jazz Blues, Rock Music
Label: Sky Dive Records
Author: Torquil Dohrn
Producer: Chudley Maron
Personnel: Torquil Dohrn — Lead vocal, Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12), Alto Saxophone (middle register) [55]
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Cello (Pizzicato) [56]
Devon O'Connell — Harmony vocal, Drum Kit (1970 Ludwig Hollywood), Cowbell [57]
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325), Lowrey Organ (1965 DSO Heritage) [58]
Lacy Gram — Alto Saxophone (middle register) [59]
Noel Kontos — Alto Saxophone (middle register) [60]
Darin Askins — B♭ Trumpet (high register) [61]
Jackie Barb — B♭ Trumpet (high register) [62]
Erich Phong — B♭ Trumpet (high register) [63]
Horace Voris — Oboe (low register) [64]
Tomas Newkirk — Oboe (low register) [64]
Dominick Stowell — Oboe (low register) [64]

'Dark Power'

Album: Still In Business
Released: 11th November 1973
Recorded: 9th July 1973, 5:11 PM, Dohrn Studios, Oxford, Oxfordshire, England

17th July 1973, 6:33 PM, Dohrn Studios, Oxford, Oxfordshire, England [65]

Duration: 0:03:10
Genre: Experimental Rock, Punk Rock
Label: Sky Dive Records
Author: Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12), Moog Synthesiser (1972 IIIp) [66]
Peter McDonald — Vocal, Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Cello (Pizzicato) [67]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [19]
Sam Whitby — Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [58]
Chudley Maron — Celesta (Schiedmayer) [68]

13th July 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add cello, Lowrey organ, alto saxophone, and cowbell overdubs to 'Lil-Emmaline'. Session musicians Erich Phong and Bob Brannon respectively add B♭ trumpet and oboe overdubs to the song.

17th July 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Chudley Maron respectively add cello, Lowrey organ, Moog synthesiser, percussion, and celesta overdubs to 'Dark Power'.

24th July 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Chudley Maron respectively add cello, Lowrey organ, Moog synthesiser, percussion, and vibraphone overdubs to 'Chaos Symphony'.

29th July 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add cello, Lowrey organ, alto saxophone, and cowbell overdubs to 'How Could You?' Session musicians Lacy Gram, and Noel Kontos record alto saxophone overdubs. Darin Askins, Jackie Barb, and Erich Phong record B♭ trumpet overdubs. And Horace Voris, Tomas Newkirk, and Dominick Stowell record oboe overdubs.

5th August 1973

The band members were in the studio again recording two more original compositions. 'Beethoven Bounce' was a sole composition by Sam Whitby, written in the boogie rock style that the band was currently influenced by. But like most tracks the band were recording at this time, it had mixed rock and roll flavours.

'Bellaroy' was written primarily by Sam Whitby, with input from Peter McDonald. However the band's drummer Devon O'Connell had been complaining that the other band members weren't giving him enough opportunity to sing lead, harmony, or backing vocals on the band's records. Torquil Dohrn was sympathetic, and so in addition to singing harmony on songs written or cowritten by Torquil, he was able to persuade Peter and Sam to let Devon sing lead on 'Bellaroy'.

'Beethoven Bounce'

Album: Still In Business
Released: 11th November 1973
Recorded: 5th August 1973, 11:59 AM, Dohrn Studios, Oxford, Oxfordshire, England

15th August 1973, 12:01 PM, Dohrn Studios, Oxford, Oxfordshire, England [69]
21st August 1973, 1:23 PM, Dohrn Studios, Oxford, Oxfordshire, England [70]

Duration: 0:03:11
Genre: Boogie Rock, Hard Rock, Rock and Roll
Label: Sky Dive Records
Author: Sam Whitby
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1970 Gretsch Country Gentleman), Handclaps [71]
Peter McDonald — Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Cello (Pizzicato) [72], Handclaps [71]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [52], Handclaps [71]
Sam Whitby — Double-tracked vocal [73], Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325), Lowrey Organ (1965 DSO Heritage) [37], Handclaps [71]

'Bellaroy'

Album: Still In Business
Released: 11th November 1973
Recorded: 5th August 1973, 1:15 PM, Dohrn Studios, Oxford, Oxfordshire, England

17th September 1973, 3:35 PM, Dohrn Studios, Oxford, Oxfordshire, England [74]

Duration: 0:03:49
Genre: Glam Rock, Hard Rock
Label: Sky Dive Records
Author: Sam Whitby, with Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1971 Fender Stratocaster), Sound Effects through Tenor Saxophone mouthpiece [75]
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S), Cello (Pizzicato) [76]
Devon O'Connell — Lead vocal, Drum Kit (1970 Ludwig Hollywood), Rainstick [77]
Sam Whitby — Harmony vocal, Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [78]

8th August 1973

The band members were in the studio again recording another original composition. 'Pepperoo' was a sole composition by Torquil Dohrn, making it his second sole composition. However it was rejected from Still In Business, and thus it would not immediately see the light of a day.

'Pepperoo'

Album: Neapolitan
Released: 2nd November 1976
Recorded: 8th August 1973, 4:23 PM, Dohrn Studios, Oxford, Oxfordshire, England

11th August 1973, 3:00 PM, Dohrn Studios, Oxford, Oxfordshire, England [79]

Duration: 0:03:44
Genre: Jazz Blues, Rock Music
Label: Sky Dive Records
Author: Torquil Dohrn
Producer: Chudley Maron
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard), Alto Saxophone (middle register) [80]
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S), Cello (Pizzicato) [81]
Devon O'Connell — Harmony vocal, Drum Kit (1970 Ludwig Hollywood), Cowbell [82]
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [83]
Lacy Gram — Alto Saxophone (middle register) [80]
Noel Kontos — Alto Saxophone (middle register) [80]
Darin Askins — B♭ Trumpet (high register) [84]
Jackie Barb — B♭ Trumpet (high register) [84]
Erich Phong — B♭ Trumpet (high register) [84]
Horace Voris — Oboe (low register) [85]
Tomas Newkirk — Oboe (low register) [85]
Dominick Stowell — Oboe (low register) [85]

11th August 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add cello, Lowrey organ, alto saxophone, and cowbell overdubs to 'Pepperoo'. Session musicians Lacy Gram, and Noel Kontos record alto saxophone overdubs. Darin Askins, Jackie Barb, and Erich Phong record B♭ trumpet overdubs. And Horace Voris, Tomas Newkirk, and Dominick Stowell record oboe overdubs.

15th August 1973

Peter McDonald, Sam Whitby, and Devon O'Connell record cello, Lowrey organ, and percussion overdubs for 'Beethoven Bounce'. Sam also double-tracks his vocal for the song.

21st August 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell add handclaps to 'Beethoven Bounce'.

24th August 1973

Peter McDonald and Sam Whitby double-track their vocals on 'Rock and Roll Theme'.

27th August 1973

Torquil Dohrn and Peter McDonald double-track their vocals on 'Jeanie-Lee'.

31st August 1973

Peter McDonald and Torquil Dohrn double-track their vocals on 'Lil-Emmaline'.

4th September 1973

Peter McDonald double-tracks his vocal on 'Chaos Symphony'.

8th September 1973

The band members were in the studio again recording another original composition. 'Shake, Rattle and Die' was a rock and roll song written primarily by Sam Whitby, with input from Peter McDonald. It became the last song recorded by Cherry Beat that would make the album Still In Business. It also became the band's next number-one hit single.

'Shake, Rattle and Die'

B-Side: 'Shake Those Hips'
Chart Position: #1 (UK Single)
#1 (US Single)
Album: Still In Business
Released: 7th October 1973 (Single Release)

11th November 1973 (Album Release)

Recorded: 8th September 1973, 12:39 PM, Dohrn Studios, Oxford, Oxfordshire, England

13th September 1973, 11:18 AM, Dohrn Studios, Oxford, Oxfordshire, England [86]
15th September 1973, 6:24 PM, Dohrn Studios, Oxford, Oxfordshire, England [87]

Duration: 0:03:35
Genre: Hard Rock, Rock and Roll
Label: Sky Dive Records
Author: Sam Whitby, with Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Semi-Acoustic Lead Guitar (1969 Rickenbacker 360/12)
Peter McDonald — Double-tracked harmony vocal [88], Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Cello (Pizzicato) [89]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Cowbell [90]
Sam Whitby — Double-tracked lead vocal [91], Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325), Lowrey Organ (1965 DSO Heritage) [92]

13th September 1973

Peter McDonald, Sam Whitby, and Devon O'Connell respectively add cello, Lowrey organ, and cowbell overdubs to 'Shake, Rattle and Die'.

15th September 1973

Sam Whitby and Peter McDonald double-track their vocals on 'Shake, Rattle and Die'.

17th September 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add cello, Lowrey organ, sound effects through a tenor saxophone mouthpiece, and rainstick overdubs to 'Bellaroy'.

21st September 1973

Although the band was largely recording their own material at this time, the band members would still occasionally record cover versions of rock and roll songs when business was slow.

On this day, session musicians Ricky Stanbery, Shaun Galloway, and Antony Newcomb respectively add tenor saxophone, baritone saxophone, and cowbell overdubs to 'Sweet Little Sixteen'. A mix without these overdubs was released on the Cherry Beat compilation album Rock and Roll Covers, 1971 in 1988.

The band would also record a cover of Chuck Berry's song 'You Can't Catch Me' on this day, with Sam Whitby on lead vocals.

'You Can't Catch Me'

Album: Still In Business [1993 Compact Disc Reissue]
Released: 6th April 1993
Recorded: 21st September 1973, 6:22 PM, Dohrn Studios, Oxford, Oxfordshire, England
22nd September 1973, 4:41 PM, Dohrn Studios, Oxford, Oxfordshire, England [93]
24th March 2010, 4:57 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [94]
25th March 2010, 9:45 AM, 1:56 PM, 7:48 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [95]
26th March 2010, 10:52 AM, 12:59 PM, 3:34 PM, 7:25 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [96]
30th March 2010, 5:03 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [97]
31st March 2010, 1:26 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [98]
1st April 2010, 4:29 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [99]
2nd April 2010, 5:18 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [100]
3rd April 2010, 9:24 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [101]
4th April 2010, 8:46 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [102]
Duration: 0:04:53
Genre: Rhythm and Blues, Rock and Roll
Label: Moonlight Bay Records
Author: Chuck Berry
Producer: Chudley Maron [103]
Personnel: Torquil Dohrn — Double-tracked Semi-Acoustic Lead Guitar (1963 Gibson ES-350T / 1977 Rickenbacker 360/12) [104], Electric Bass Guitar (1978 Fender Precision) [105], Alto Saxophone [106], B♭ Trumpet [107], Tenor Saxophone [108], French Horn [109], Baritone Saxophone [110], B♭ Clarinet (Boehm System) [111], Concert Flute [112], Electric Piano (1965 Hohner Pianet C) [113], Drum Kit (1970 Ludwig Hollywood) [114], Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino) [115]
Peter McDonald — Double Bass, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin) [105], B♭ Trumpet [107], Grand Piano (1970 Steinway D-274) [116], Upright Piano (1964 Challen) [117], Drum Kit (1970 Ludwig Hollywood) [114], Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325) [115], Semi-Acoustic Lead Guitar (1981 Gretsch Country Gentleman) [118], Electric Lead Guitar (1978 Fender Stratocaster) [118]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [119], Bongo Drums [120]
Sam Whitby — Vocal, Semi-Acoustic Rhythm Guitar (1970 Gibson ES-355), Electric Piano (1978 Roland EP-30) [121], Electric Lead Guitar (1960 Gibson Les Paul Standard) [118], Electric Organ (1970 Vox Continental) [122], Drum Kit (1970 Ludwig Hollywood) [114], Electric Rhythm Guitar (1974 Gibson Les Paul Custom) [115]
Milford Ekdahl — Tambourine [123], Upright Piano (1910 Steinway Vertegrand) [117], Grand Piano (Bechstein D-280) [116], Electric Rhythm Guitar (1976 Fender Telecaster) [115]
Wilbur Milardo — Maracas [124], Electric Piano (1970 Fender Rhodes) [113], Lowrey Organ (1965 DSO Heritage) [125]
Ricky Stanbery — Tenor Saxophone [126]
Shaun Galloway — Baritone Saxophone [127]
Clotilde Whiddon — Alto Saxophone [106]
Wilburn Charboneau — B♭ Trumpet [107]
Leon Baccus — Tenor Saxophone [108]
Karin Lomonaco — Concert Flute [112]
Elodia McDonald — Electric Piano (1974 Wurlitzer 200A) [113]
Esther O'Connell — Grand Piano (1963 Baldwin Ebony Satin) [116]
Terrence Choy — Electric Rhythm Guitar (1969 Fender Esquire) [115]

22nd September 1973

Sam Whitby and Devon O'Connell respectively add electric piano and percussion overdubs to 'You Can't Catch Me'. Session musicians Ricky Stanbery and Shaun Galloway respectively add tenor and baritone saxophone overdubs.

27th September 1973

The band members were in the studio again, recording a cover version of The Beatles' song 'Thank You Girl', featuring Peter McDonald on lead vocals.

As Peter described it 'We were 70's rock musicians rooted with 50's style rock and roll, therefore we were inspired by a lot of rock and roll musicians of the 50's and 60's. And of course, as members of a boy band of rock music, how could we not be inspired by artists like The Beatles?'

Sam Whitby said 'The Beatles' original version of the song featured John Lennon on lead vocals, and although we can all reach the notes of John's high baritone range, none of us sound remotely, or otherwise similar to him, although I am capable of producing a rough edged vocal with a slight rasp to it. Out of all the members of Cherry Beat, Peter is probably the one that sounds the most like a Beatle, although he sounds most like Paul McCartney, but Paul did sing harmony on The Beatles' version of the song'.

Peter said 'I personally think my vocal on our version of 'Thank You Girl' sounds more or less similar to Paul's vocal on 'Can't Buy Me Love'. Indeed I've got to say that my vocal sounds more like Paul's than like John's both in general, and range-wise. Both me and Sam are mid-range tenors much like Paul, rather than high baritones like John. There are some high tenor notes that Sam can reach that I cannot although he has proven to be capable at reaching all my lower notes as well'.

'Thank You Girl'

Album: Still In Business [1993 Compact Disc Reissue]
Released: 6th April 1993
Recorded: 27th September 1973, 4:21 PM, Dohrn Studios, Oxford, Oxfordshire, England

29th September 1973, 10:06 AM, 4:23 PM, Dohrn Studios, Oxford, Oxfordshire, England [128][129]

Duration: 0:02:08
Genre: Beat Music, Rock and Roll
Label: Moonlight Bay Records
Author: John Lennon, Paul McCartney
Producer: Chudley Maron
Publisher: Sony Music Publishing
Personnel: Torquil Dohrn — Double-tracked backing vocal [130], Acoustic-Electric Lead Guitar (1970 Gibson J-160E), Harmonica (Hohner C Chromatic) [131]
Peter McDonald — Double-tracked lead vocal [132], Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Harmony vocal, Acoustic-Electric Rhythm Guitar (1970 Gibson J-160E)

29th September 1973

Torquil Dohrn records a harmonica overdub for 'Thank You Girl'. Peter McDonald, and Torquil also double-track their vocals.

2nd October 1973

The band members were in the studio again, recording a cover of an Elvis Presley composition 'Don't Be Cruel'. Devon O'Connell handled the lead vocals, although the band had considered doing it with Peter McDonald or Torquil Dohrn singing on lead vocals.

'Don't Be Cruel'

Album: Still In Business [1993 Compact Disc Reissue]
Released: 6th April 1993
Recorded: 2nd October 1973, 5:54 PM, Dohrn Studios, Oxford, Oxfordshire, England

29th June 2016, 1:28 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [133]

Duration: 0:02:10
Genre: Pop Rock, Rockabilly
Label: Moonlight Bay Records
Author: Otis Blackwell
Producer: Chudley Maron [134]
Personnel: Torquil Dohrn — Backing vocal, Acoustic Rhythm Guitar (1970 Gibson J-200)
Peter McDonald — Backing vocal, Double Bass
Devon O'Connell — Lead vocal, Backing vocal [135], Drum Kit (1970 Ludwig Hollywood), Percussion [136]
Sam Whitby — Backing vocal, Semi-Acoustic Lead Guitar (1970 Gibson L-5)
Chudley Maron — Upright Piano (1910 Steinway Vertegrand)

4th October 1973

The band members were in the studio again, recording another Elvis Presley cover, 'All Shook Up'. Once again Devon O'Connell handled the lead vocals, although the band had considered doing it with Peter McDonald on lead vocals.

'All Shook Up'

Album: Still In Business [1993 Compact Disc Reissue]
Released: 6th April 1993
Recorded: 4th October 1973, 10:50 AM, Dohrn Studios, Oxford, Oxfordshire, England

7th July 2016, 3:06 PM, Eastern Sound Recorders, Oxford, Oxfordshire, England [137]

Duration: 0:02:06
Genre: Rhythm and Blues, Rockabilly
Label: Moonlight Bay Records
Author: Otis Blackwell
Producer: Chudley Maron [134]
Personnel: Torquil Dohrn — Backing vocal, Acoustic Rhythm Guitar (1970 Gibson J-200)
Peter McDonald — Backing vocal, Double Bass
Devon O'Connell — Lead vocal, Harmony vocal [138], Drum Kit (1970 Ludwig Hollywood), Percussion [136]
Sam Whitby — Backing vocal, Semi-Acoustic Lead Guitar (1970 Gibson L-5)
Chudley Maron — Upright Piano (1910 Steinway Vertegrand)

7th October 1973

Single Release — 'Shake, Rattle and Die' / 'Shake Those Hips'

10th October 1973

The band members were in the studio again recording two more original compositions. 'Cocoa Star Rookies' was written mostly by Sam Whitby, but both he and Peter McDonald have pointed out that Peter did help with a few of the lyrics, and some of the music.

The second composition they recorded on this day was written solely by Sam Whitby. 'Sweet Amber, Sweet' was inspired by Amber Stark who was Sam's girlfriend at the time. 'Cocoa Star Rookies' was released as the band's next single after 'Shake, Rattle and Die', with 'Sweet Amber, Sweet' as the B-Side.

'Cocoa Star Rookies'

B-Side: 'Sweet Amber, Sweet'
Chart Position: #1 (UK Single)
#1 (US Single)
Album: Greatest Hits
Released: 4th January 1974 (Single Release)
10th February 1985 (Album Release)
Recorded: 10th October 1973, 12:42 PM, Dohrn Studios, Oxford, Oxfordshire, England

11th October 1973, 11:39 AM, Dohrn Studios, Oxford, Oxfordshire, England [139]
12th October 1973, 2:11 PM, Dohrn Studios, Oxford, Oxfordshire, England [140]
13th October 1973, 4:45 PM, Dohrn Studios, Oxford, Oxfordshire, England [141]

Duration: 0:04:47
Genre: Hard Rock, Jazz Blues, Proto-Metal, Proto-Punk
Label: Sky Dive Records
Author: Sam Whitby, with Peter McDonald
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1969 Fender Esquire), Electric Slide Guitar (1960 Gibson Les Paul Standard) [142], Sound Effects [143], Alto Saxophone (middle register) [144]
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1969 Höfner 500/1 Violin), Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino) [145], Sound Effects through Tenor Saxophone mouthpiece [146]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [147], Cowbell [148]
Sam Whitby — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard), Electric Piano (1965 Hohner Pianet C) [149], Electric Bass Guitar (1972 Fender VI) [150]
German Sprinkle — Alto Saxophone (middle register) [144]
Jared Underhill — B♭ Trumpet (high register) [151]
Lacy Gram — Alto Saxophone (middle register) [144]
Noel Kontos — Alto Saxophone (middle register) [144]
Darin Askins — B♭ Trumpet (high register) [151]
Jackie Barb — B♭ Trumpet (high register) [151]
Erich Phong — B♭ Trumpet (high register) [151]
Bob Brannon — Oboe (low register) [152]
Horace Voris — Oboe (low register) [152]
Tomas Newkirk — Oboe (low register) [152]
Dominick Stowell — Oboe (low register) [152]

'Sweet Amber, Sweet'

A-Side: 'Cocoa Star Rookies'
Chart Position: #36 (UK Single)
#47 (US Single)
Album: Greatest Hits
Released: 4th January 1974 (Single Release)
10th February 1985 (Album Release)
Recorded: 10th October 1973, 1:49 PM, Dohrn Studios, Oxford, Oxfordshire, England

14th October 1973, 10:37 AM, Dohrn Studios, Oxford, Oxfordshire, England [153]

Duration: 0:03:45
Genre: Hard Rock, Power Pop
Label: Sky Dive Records
Author: Sam Whitby
Producer: Chudley Maron
Publisher: Donby Music Limited.
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard), Sound Effects [154]
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S), Cello (Pizzicato) [155]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Tambourine [156]
Sam Whitby — Double-tracked lead vocal [157], Semi-Acoustic Rhythm Guitar (1970 Epiphone Casino), Lowrey Organ (1965 DSO Heritage) [158]

11th October 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add rhythm guitar, electric piano, slide guitar, and percussion overdubs to 'Cocoa Star Rookies'.

12th October 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add sound effects through a tenor saxophone mouthpiece, bass guitar, sound effects, and cowbell overdubs to 'Cocoa Star Rookies'.

13th October 1973

Torquil Dohrn, and session musicians German Sprinkle, Lacy Gram, and Noel Kontos record alto saxophone overdubs for 'Cocoa Star Rookies'. Jared Underhill, Darin Askins, Jackie Barb, and Erich Phong record B♭ trumpet overdubs. And Bob Brannon, Horace Voris, Tomas Newkirk, and Dominick Stowell record oboe overdubs.

As the band members of Cherry Beat described it, 'We literally used all the instruments that were played on The Beatles' song 'Helter Skelter', and The Monkees' song 'Goin' Down'. Except 'Cocoa Star Rookies' doesn't feature trombones like 'Goin' Down' does. Instead it features oboes'.

Since the oboes were substituting for trombones, they were played near the bottom of their registers. The alto saxophones and B♭ trumpets were played in the middle or near the top of their registers, respectively.

14th October 1973

Peter McDonald, Sam Whitby, Torquil Dohrn, and Devon O'Connell respectively add cello, Lowrey organ, sound effects, and tambourine overdubs for 'Sweet Amber, Sweet'. Sam also double-tracks his lead vocal for the song.

11th November 1973

Album release — Still In Business

Still In Business — Album

Chart Position: #1 (UK Album)
#1 (US Album)
Released: 11th November 1973
Recorded: 16th May – 17th September 1973, Dohrn Studios, Oxford, Oxfordshire, England
Duration: 0:45:00
Genre: Boogie Rock, Hard Rock, Rock and Roll
Label: Sky Dive Records
Producer: Chudley Maron
Track Listing: Side One:
'Shake, Rattle and Die'
'Chaos Symphony'
'Beethoven Bounce'
'How Could You?'
'Lil-Emmaline'
'Jeanie-Lee'
'Bellaroy'

Side Two:
'Squeeze Me Nice'
'Tights of Pain'
'Nips of Pity'
'Dark Power'
'Tunnel Walk'
'Rock and Roll Theme'

4th January 1974

Single release — 'Cocoa Star Rookies' / 'Sweet Amber, Sweet'

References

  1. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the acoustic-electric rhythm guitar, tambourine, and electric piano overdubs recorded on this day.
  2. ↑ The mix released on the Cherry Beat Anthology 1 album omits the acoustic-electric rhythm guitar.
  3. ↑ 3.0 3.1 The mix released on the Cherry Beat Anthology 1 album omits the tambourine.
  4. ↑ The mix released on the Cherry Beat Anthology 1 album omits the electric piano.
  5. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the harmony vocal, acoustic-electric rhythm guitar, and electric piano overdubs recorded on this day.
  6. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omitted the lead vocal overdubs recorded on this day.
  7. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the harmony vocal overdubs recorded on this day.
  8. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  9. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the harmony vocal.
  10. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  11. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the acoustic-electric rhythm guitar.
  12. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the electric piano.
  13. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the acoustic-electric rhythm guitar, harmony vocal, Hammond organ, and tambourine overdubs recorded on this day.
  14. ↑ The mix released on the Cherry Beat Anthology 1 album omits the acoustic-electric rhythm guitar.
  15. ↑ The mix released on the Cherry Beat Anthology 1 album omits the harmony vocal.
  16. ↑ The mix released on the Cherry Beat Anthology 1 album omits the Hammond organ.
  17. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the harmonica, percussion, and Hammond organ overdubs recorded on this day.
  18. ↑ 18.0 18.1 The mix released on the Cherry Beat Anthology 1 album omits the harmonica.
  19. ↑ 19.0 19.1 The mix released on the Cherry Beat Anthology 1 album omits the percussion.
  20. ↑ The mix released on the Cherry Beat Anthology 1 album omits the Hammond organ.
  21. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the harmonica and Hammond organ overdubs recorded on this day.
  22. ↑ The mix released on the Cherry Beat Anthology 1 album omits the Hammond organ.
  23. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the cello, electric piano, and cowbell overdubs recorded on this day.
  24. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the lead and harmony vocal overdubs recorded on this day.
  25. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  26. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cello.
  27. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cowbell.
  28. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  29. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the electric piano.
  30. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the Lowrey organ and baritone saxophone overdubs recorded on this day.
  31. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omitted the tenor saxophone overdubs recorded on this day.
  32. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the lead and harmony vocal overdubs recorded on this day.
  33. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  34. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the baritone saxophone.
  35. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omit the tenor saxophone.
  36. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  37. ↑ 37.0 37.1 37.2 37.3 The first mix released on the Cherry Beat Anthology 1 album omits the Lowrey organ.
  38. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the Lowrey organ, alto saxophone, cowbell, B♭ trumpet, and oboe overdubs recorded on this day.
  39. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the lead and harmony vocal overdubs recorded on this day.
  40. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  41. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the alto saxophone.
  42. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  43. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cello.
  44. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cowbell.
  45. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the B♭ trumpet.
  46. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the oboe.
  47. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the cello, Lowrey organ, Moog synthesiser, percussion, and vibraphone overdubs recorded on this day.
  48. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the lead vocal overdubs recorded on this day.
  49. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the Moog synthesiser.
  50. ↑ The mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  51. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cello.
  52. ↑ 52.0 52.1 The first mix released on the Cherry Beat Anthology 1 album omits the percussion.
  53. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the vibraphone.
  54. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the cello, Lowrey organ, alto saxophone, cowbell, B♭ trumpet, and oboe overdubs recorded on this day.
  55. ↑ The mix released on the Cherry Beat Anthology 1 album omits the alto saxophone.
  56. ↑ The mix released on the Cherry Beat Anthology 1 album omits the cello.
  57. ↑ The mix released on the Cherry Beat Anthology 1 album omits the cowbell.
  58. ↑ 58.0 58.1 The mix released on the Cherry Beat Anthology 1 album omits the Lowrey organ.
  59. ↑ The mix released on the Cherry Beat Anthology 1 album omits the alto saxophone.
  60. ↑ The mix released on the Cherry Beat Anthology 1 album omits the alto saxophone.
  61. ↑ The mix released on the Cherry Beat Anthology 1 album omits the B♭ trumpet.
  62. ↑ The mix released on the Cherry Beat Anthology 1 album omits the B♭ trumpet.
  63. ↑ The mix released on the Cherry Beat Anthology 1 album omits the B♭ trumpet.
  64. ↑ 64.0 64.1 64.2 The mix released on the Cherry Beat Anthology 1 album omits the oboe.
  65. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the Moog synthesiser, cello, percussion, Lowrey organ, and celesta overdubs recorded on this day.
  66. ↑ The mix released on the Cherry Beat Anthology 1 album omits the Moog synthesiser.
  67. ↑ The mix released on the Cherry Beat Anthology 1 album omits the cello.
  68. ↑ The mix released on the Cherry Beat Anthology 1 album omits the celesta.
  69. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the cello, Lowrey organ, percussion, and lead vocal overdubs recorded on this day.
  70. ↑ The mixes released on the Cherry Beat Anthology 1 album omitted the handclaps recorded on this day.
  71. ↑ 71.0 71.1 71.2 71.3 The mixes released on the Cherry Beat Anthology 1 album omit the handclaps.
  72. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cello.
  73. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the double-tracking of the vocals.
  74. ↑ The mix released on the Cherry Beat Anthology 1 album omitted the tenor saxophone sound effects, cello, rainstick, and Lowrey organ overdubs recorded on this day.
  75. ↑ The mix released on the Cherry Beat Anthology 1 album omits the tenor saxophone sound effects.
  76. ↑ The mix released on the Cherry Beat Anthology 1 album omits the cello.
  77. ↑ The mix released on the Cherry Beat Anthology 1 album omits the rainstick.
  78. ↑ The mix released on the Cherry Beat Anthology 1 album omits the Lowrey organ.
  79. ↑ The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omitted the alto saxophone, cello, cowbell, Lowrey organ, B♭ trumpet, and oboe overdubs recorded on this day.
  80. ↑ 80.0 80.1 80.2 The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the alto saxophone.
  81. ↑ The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the cello.
  82. ↑ The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the cowbell.
  83. ↑ The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the Lowrey organ.
  84. ↑ 84.0 84.1 84.2 The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the B♭ trumpet.
  85. ↑ 85.0 85.1 85.2 The mix released as a bonus track on the 2010 Compact Disc reissue of Still In Business omits the oboe.
  86. ↑ The first mix released on the Cherry Beat Anthology 1 album omitted the cello, Lowrey organ, and cowbell overdubs recorded on this day.
  87. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omitted the lead and harmony vocal overdubs recorded on this day.
  88. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  89. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cello.
  90. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the cowbell.
  91. ↑ The first and second mixes released on the Cherry Beat Anthology 1 album omit the double-tracking of the vocals.
  92. ↑ The first mix released on the Cherry Beat Anthology 1 album omits the Lowrey organ.
  93. ↑ The mix released on the Cherry Beat Anthology 2 album omitted the electric piano, percussion, tenor saxophone, and baritone saxophone overdubs recorded on this day.
  94. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the lead guitar, bass guitar, bongo drum, tambourine, and maraca overdubs recorded on this day.
  95. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the alto saxophone, B♭ trumpet, and tenor saxophone overdubs recorded on this day.
  96. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the French horn, baritone saxophone, B♭ clarinet, and concert flute overdubs recorded on this day.
  97. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the grand piano, upright piano, and electric piano overdubs recorded on this day.
  98. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the upright piano, electric organ, grand piano, and Lowrey organ overdubs recorded on this day.
  99. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the drum kit overdubs recorded on this day.
  100. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the rhythm guitar overdubs recorded on this day.
  101. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the lead guitar and rhythm guitar overdubs recorded on this day.
  102. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omitted the lead guitar overdubs recorded on this day.
  103. ↑ The 2010 stereo mix of the song was produced by Gregory Dogan instead.
  104. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the double-tracking of the lead guitar.
  105. ↑ 105.0 105.1 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the bass guitar.
  106. ↑ 106.0 106.1 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the alto saxophone.
  107. ↑ 107.0 107.1 107.2 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the B♭ trumpet.
  108. ↑ 108.0 108.1 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the tenor saxophone.
  109. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the French horn.
  110. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the baritone saxophone.
  111. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the B♭ clarinet.
  112. ↑ 112.0 112.1 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the concert flute.
  113. ↑ 113.0 113.1 113.2 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the electric piano.
  114. ↑ 114.0 114.1 114.2 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the drum kit.
  115. ↑ 115.0 115.1 115.2 115.3 115.4 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the rhythm guitar.
  116. ↑ 116.0 116.1 116.2 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the grand piano.
  117. ↑ 117.0 117.1 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the upright piano.
  118. ↑ 118.0 118.1 118.2 The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the lead guitar.
  119. ↑ The mix released on the Cherry Beat Anthology 2 album omits the percussion.
  120. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the bongo drums.
  121. ↑ The mix released on the Cherry Beat Anthology 2 album omits the electric piano.
  122. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the electric organ.
  123. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the tambourine.
  124. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the maracas.
  125. ↑ The mix released as a bonus track on the 1993 and 2010 Compact Disc reissues of Still In Business and the mix released on the Cherry Beat Anthology 2 album omit the Lowrey organ.
  126. ↑ The mix released on the Cherry Beat Anthology 2 album omits the tenor saxophone.
  127. ↑ The mix released on the Cherry Beat Anthology 2 album omits the baritone saxophone.
  128. ↑ The first mix released on the Cherry Beat Anthology 2 album omitted the harmonica overdubs recorded on this day.
  129. ↑ The mixes released on the Cherry Beat Anthology 2 album omitted the lead and backing vocal overdubs recorded on this day.
  130. ↑ The mixes released on the Cherry Beat Anthology 2 album omit the double-tracking of the vocals.
  131. ↑ The first mix released on the Cherry Beat Anthology 2 album omits the harmonica.
  132. ↑ The mixes released on the Cherry Beat Anthology 2 album omit the double-tracking of the vocals.
  133. ↑ The mix released on the 1993 Compact Disc Reissue of Still In Business omitted the backing vocal and percussion overdubs recorded on this day.
  134. ↑ 134.0 134.1 The 2016 stereo mix of the song was produced by Gregory Dogan instead.
  135. ↑ The mix released on the 1993 Compact Disc Reissue of Still In Business omits the backing vocal.
  136. ↑ 136.0 136.1 The mix released on the Cherry Beat Anthology 2 album omits the percussion.
  137. ↑ The mix released on the 1993 Compact Disc Reissue of Still In Business omitted the harmony vocal and percussion overdubs recorded on this day.
  138. ↑ The mix released on the 1993 Compact Disc Reissue of Still In Business omits the harmony vocal.
  139. ↑ The first mix released on the Cherry Beat Anthology 2 album omitted the rhythm guitar, electric piano, slide guitar, and percussion overdubs recorded on this day.
  140. ↑ The first and second mixes released on the Cherry Beat Anthology 2 album omitted the tenor saxophone sound effects, bass guitar, sound effects, and cowbell overdubs recorded on this day.
  141. ↑ The mixes released on the Cherry Beat Anthology 2 album omitted the alto saxophone, B♭ trumpet, and oboe overdubs recorded on this day.
  142. ↑ The first mix released on the Cherry Beat Anthology 2 album omits the slide guitar.
  143. ↑ The first and second mixes released on the Cherry Beat Anthology 2 album omit the sound effects.
  144. ↑ 144.0 144.1 144.2 144.3 The mixes released on the Cherry Beat Anthology 2 album omit the alto saxophone.
  145. ↑ The first mix released on the Cherry Beat Anthology 2 album omits the rhythm guitar.
  146. ↑ The first and second mixes released on the Cherry Beat Anthology 2 album omit the tenor saxophone sound effects.
  147. ↑ The first mix released on the Cherry Beat Anthology 2 album omits the percussion.
  148. ↑ The first and second mixes released on the Cherry Beat Anthology 2 album omit the cowbell.
  149. ↑ The first mix released on the Cherry Beat Anthology 2 album omits the electric piano.
  150. ↑ The first and second mixes released on the Cherry Beat Anthology 2 album omit the bass guitar.
  151. ↑ 151.0 151.1 151.2 151.3 The mixes released on the Cherry Beat Anthology 2 album omit the B♭ trumpet.
  152. ↑ 152.0 152.1 152.2 152.3 The mixes released on the Cherry Beat Anthology 2 album omit the oboe.
  153. ↑ The mix released on the Cherry Beat Anthology 2 album omitted the sound effects, cello, tambourine, Lowrey organ, and lead vocal overdubs recorded on this day.
  154. ↑ The mix released on the Cherry Beat Anthology 2 album omits the sound effects.
  155. ↑ The mix released on the Cherry Beat Anthology 2 album omits the cello.
  156. ↑ The mix released on the Cherry Beat Anthology 2 album omits the tambourine.
  157. ↑ The mix released on the Cherry Beat Anthology 2 album omitted double-tracking of the vocal.
  158. ↑ The mix released on the Cherry Beat Anthology 2 album omits the Lowrey organ.
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