Cherry Beat - Recording Sessions (Part Sixteen - The Band's Post Reunion Live Concert Tour)

From C.Syde's Wiki, an all-subject wiki that anyone can edit!
Jump to navigation Jump to search
~ Cherry Beat ~
Characters - Relationships - Session Musicians - Songs
~ Recording Sessions ~
Part One - Part Two - Part Three - Part Four - Part Five - Part Six - Part Seven - Part Eight
Part Nine - Part Ten - Part Eleven - Part Twelve - Part Thirteen - Part Fourteen - Part Fifteen
Part Sixteen - Part Seventeen - Part Eighteen - Part Nineteen - Part Twenty
Part Twenty-One - Part Twenty-Two - Part Twenty-Three

February 2000

The band Cherry Beat had released their first studio album since the group's breakup and their first reunion starting in late 1998. Their thirteenth studio album Paintball Arena was a surprise chart topping success. Peter McDonald, Sam Whitby, Devon O'Connell, and new member Milford Ekdahl were satisfied with the results the album met. But there was something else the band met as well.

Torquil Dohrn, the band's original lead guitarist who had refused to take any further part in anything that was associated with the band's name from 1982 until now, was impressed with the band's thirteenth album. He admitted that he was sorry to have not been a part of the album's creation, and he credited it for driving him out of resignation to rejoin the group.

Of course Torquil wouldn't have been able to rejoin the group if the band members weren't willing to allow him to rejoin. But of course, the band had never been the same without Torquil's involvement, and Peter, Sam, and Devon had missed Torquil dearly, and were happy to be given the chance to get their lead guitarist back.

With Torquil back as the band's lead guitarist, Sam regained his role as the band's rhythm guitarist, while Milford continued his role as the band's keyboardist, although he would continue to play guitar on occasions when necessary.

26th February 2000

With Torquil Dohrn back as the band's lead guitarist for the first time in 18 years, the five band members held their first recording session to practise for their upcoming live concert tour, although this session was really a studio warm up, as none of the songs recorded on this day where intended to be played at the concert tour.

They recorded cover versions of three Paul McCartney compositions on this day, all of which were originally recorded in 1999 by Paul McCartney for his studio album Run Devil Run. 'Run Devil Run', 'Try Not to Cry', and 'What It Is', all of which were chosen by Peter for the band to record as a warm up.

Paul McCartney had had a lifelong influence on Peter McDonald since the beginning of Cherry Beat. Both were bass players, had similar voices, similar tastes in music, and even similar looks. But it was mostly that they were both influenced by Little Richard that made them both similar to one another.

'Run Devil Run'

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 26th February 2000, 5:25 PM, Oxford Studios, Oxford, Oxfordshire, England
28th February 2000, 1:21 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England [1]
Duration: 0:03:12
Genre: Rock and Roll
Label: Moonlight Bay Records
Author: Paul McCartney
Producer: Gregory Dogan, Peter McDonald
Personnel: Torquil Dohrn — Electric Lead Guitar (1969 Fender Esquire)
Milford Ekdahl — Digital Piano (1998 Roland RD-600)
Peter McDonald — Vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Electric Rhythm Guitar (1976 Fender Telecaster), Electric Lap Steel Guitar (1967 Höfner 5140 Hawaiian Standard) [2]

'Try Not to Cry'

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 26th February 2000, 5:33 PM, Oxford Studios, Oxford, Oxfordshire, England
28th February 2000, 12:36 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England [3]
Duration: 0:02:55
Genre: Rock and Roll
Label: Moonlight Bay Records
Author: Paul McCartney
Producer: Gregory Dogan, Peter McDonald
Personnel: Torquil Dohrn — Electric Lead Guitar (1969 Fender Esquire)
Milford Ekdahl — Digital Piano (1998 Roland RD-600)
Peter McDonald — Vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin), Percussion [4]
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood), Percussion [4]
Sam Whitby — Electric Rhythm Guitar (1976 Fender Telecaster)

'What It Is'

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 26th February 2000, 5:38 PM, Oxford Studios, Oxford, Oxfordshire, England
28th February 2000, 3:36 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England [5]
Duration: 0:02:32
Genre: Rock and Roll
Label: Moonlight Bay Records
Author: Paul McCartney
Producer: Gregory Dogan, Peter McDonald
Personnel: Torquil Dohrn — Electric Lead Guitar (1969 Fender Esquire), Electric Rhythm Guitar [6]
Milford Ekdahl — Digital Piano (1998 Roland RD-600)
Peter McDonald — Vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Electric Rhythm Guitar (1976 Fender Telecaster)

28th February 2000

Peter McDonald and Devon O'Connell record percussion overdubs for 'Try Not to Cry' on this day. Sam Whitby recorded a lap steel guitar overdub for 'Run Devil Run', while Torquil Dohrn recorded a rhythm guitar overdub for 'What It Is'.

5th May 2000

The band recorded another cover on this day. This time, a cover of a Supertramp song 'Breakfast in America'. Sam Whitby chose to get the band to record a cover version of the song, because he wanted another chance at hearing himself recapture the vocal style of Roger Hodgson. It would be the first time Sam had attempted to imitate the style since the band had recorded his own compositions 'Fiery Fossil' and 'Savant Supreme' in 1981.

It would be a tad harder though since Sam was roughly 19 years older than when he and the band had recorded 'Fiery Fossil' and 'Savant Supreme', so Sam's tenor range would have a harder time trying to reach the high notes that Roger had reached back in 1979. Cherry Beat's own cover of the song was more than a minute longer than Supertramp's original recording, owing to the first four verses being repeated.

'Breakfast in America'

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 5th May 2000, 6:34 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England
9th May 2000, 7:02 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England [7]
12th May 2000, 5:28 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England [8]
Duration: 0:03:54
Genre: Art Pop, Progressive Pop
Label: Moonlight Bay Records
Author: Roger Hodgson, with Rick Davies
Producer: Gregory Dogan, Sam Whitby
Personnel: Torquil Dohrn — Backing vocal, Electric Rhythm Guitar (1978 Fender Stratocaster), B♭ Clarinet (Boehm System) [9], Tenor Trombone [10]
Milford Ekdahl — Harmonium (1927 Mannborg)
Peter McDonald — Backing vocal, Electric Bass Guitar (1980 Music Man StingRay)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Grand Piano (1970 Steinway D-274), Electric Spinet Harpsichord (1969 Baldwin) [11]
Ivory Scanlon — Tuba [12]

9th May 2000

Sam Whitby and Torquil Dohrn respectively record electric spinet harpsichord and B♭ clarinet overdubs for 'Breakfast in America' on this day. One more session of overdubbing would be necessary to complete the recording.

12th May 2000

Torquil Dohrn and session musician Ivory Scanlon respectively record tenor trombone and tuba overdubs for 'Breakfast in America' on this day. The recording was now completed.

22nd November 2000

The first big night for the band members of Cherry Beat. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 36 songs on their own without any participation from session musicians. Four tracks from their recent album Paintball Arena would be played along with 32 tracks from earlier albums.

'Shake, Rattle and Die'

Recorded: 22nd November 2000, 6:06 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:06 PM, City Field Stadium, New York City, United States
25th November 2000, 6:06 PM, City Field Stadium, New York City, United States
Duration: 0:03:55
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Lead Guitar (1977 Rickenbacker 360/12)
Milford Ekdahl — Lowrey Organ (1965 DSO Heritage)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325)

'Can't Stop the Jive'

Recorded: 22nd November 2000, 6:13 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:13 PM, City Field Stadium, New York City, United States
25th November 2000, 6:13 PM, City Field Stadium, New York City, United States
Duration: 0:03:25
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1976 Fender Telecaster)
Milford Ekdahl — Electric Piano (1970 Fender Rhodes)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Rock and Roll Theme'

Recorded: 22nd November 2000, 6:17 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:17 PM, City Field Stadium, New York City, United States
25th November 2000, 6:17 PM, City Field Stadium, New York City, United States
Duration: 0:03:50
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)
Milford Ekdahl — Electric Piano (1965 Hohner Pianet C)
Peter McDonald — Lead vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Electric Rhythm Guitar (1978 Fender Stratocaster)

'Missile Line 01-1-10'

Recorded: 22nd November 2000, 6:22 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:22 PM, City Field Stadium, New York City, United States
25th November 2000, 6:22 PM, City Field Stadium, New York City, United States
Duration: 0:03:36
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1976 Fender Telecaster)
Milford Ekdahl — Electric Piano (1970 Fender Rhodes)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Rock It!'

Recorded: 22nd November 2000, 6:28 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:28 PM, City Field Stadium, New York City, United States
25th November 2000, 6:28 PM, City Field Stadium, New York City, United States
Duration: 0:04:00
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1969 Fender Esquire)
Milford Ekdahl — Electric Piano (1965 Hohner Pianet C)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)

'Cocoa Star Rookies'

Recorded: 22nd November 2000, 6:33 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:33 PM, City Field Stadium, New York City, United States
25th November 2000, 6:33 PM, City Field Stadium, New York City, United States
Duration: 0:04:20
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1969 Fender Esquire)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)

'Shake Little Baby'

Recorded: 22nd November 2000, 6:38 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:38 PM, City Field Stadium, New York City, United States
25th November 2000, 6:38 PM, City Field Stadium, New York City, United States
Duration: 0:03:56
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Lead Guitar (1981 Gretsch Country Gentleman)
Milford Ekdahl — Grand Piano (1963 Baldwin Ebony Satin)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1969 Rickenbacker 325)

'Club Knight'

Recorded: 22nd November 2000, 6:43 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:43 PM, City Field Stadium, New York City, United States
25th November 2000, 6:43 PM, City Field Stadium, New York City, United States
Duration: 0:03:55
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)
Milford Ekdahl — Electric Piano (1970 Fender Rhodes)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Electric Rhythm Guitar (1978 Fender Stratocaster)

'Don't Listen to Her'

Recorded: 22nd November 2000, 6:48 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:48 PM, City Field Stadium, New York City, United States
25th November 2000, 6:48 PM, City Field Stadium, New York City, United States
Duration: 0:03:37
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic-Electric Rhythm Guitar (1975 Gibson J-160E)

'Mochaccino Springs'

Recorded: 22nd November 2000, 6:53 PM, City Field Stadium, New York City, United States
23rd November 2000, 6:53 PM, City Field Stadium, New York City, United States
25th November 2000, 6:53 PM, City Field Stadium, New York City, United States
Duration: 0:05:06
Personnel: Torquil Dohrn — Backing vocal, Electric Rhythm Guitar (1969 Fender Esquire)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)

'Vibraphone Tombs'

Recorded: 22nd November 2000, 7:00 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:00 PM, City Field Stadium, New York City, United States
25th November 2000, 7:00 PM, City Field Stadium, New York City, United States
Duration: 0:04:57
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Lead vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Chaos and Corruption'

Recorded: 22nd November 2000, 7:06 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:06 PM, City Field Stadium, New York City, United States
25th November 2000, 7:06 PM, City Field Stadium, New York City, United States
Duration: 0:03:27
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Lead Guitar (1978 Epiphone Casino)
Milford Ekdahl — Grand Piano (1969 Bösendorfer 225)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic Rhythm Guitar (1975 Martin D-28)

'Paintball Attendant'

Recorded: 22nd November 2000, 7:11 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:11 PM, City Field Stadium, New York City, United States
25th November 2000, 7:11 PM, City Field Stadium, New York City, United States
Duration: 0:04:29
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1969 Fender Esquire)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Fuzzed Electric Lead Guitar (1978 Fender Stratocaster)

'Ocean Ripple'

Recorded: 22nd November 2000, 7:17 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:17 PM, City Field Stadium, New York City, United States
25th November 2000, 7:17 PM, City Field Stadium, New York City, United States
Duration: 0:03:51
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)
Milford Ekdahl — Backing vocal, Synthesiser (1998 Korg Z1)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Electric Lead Guitar (1978 Fender Stratocaster)

'Charcoal Bubbles'

Recorded: 22nd November 2000, 7:22 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:22 PM, City Field Stadium, New York City, United States
25th November 2000, 7:22 PM, City Field Stadium, New York City, United States
Duration: 0:03:52
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)
Milford Ekdahl — Backing vocal, Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Bongo Drums
Sam Whitby — Lead vocal, Electric Lead Guitar (1978 Fender Stratocaster)

'Don't Count on Me'

Recorded: 22nd November 2000, 7:27 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:27 PM, City Field Stadium, New York City, United States
25th November 2000, 7:27 PM, City Field Stadium, New York City, United States
Duration: 0:04:07
Personnel: Torquil Dohrn — Lead vocal, Semi-Acoustic Lead Guitar (1970 Gretsch 6076)
Milford Ekdahl — Electric Piano (1974 Wurlitzer 200A)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic Rhythm Guitar (1975 Martin D-28)

'Ticket to Paris'

Recorded: 22nd November 2000, 7:32 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:32 PM, City Field Stadium, New York City, United States
25th November 2000, 7:32 PM, City Field Stadium, New York City, United States
Duration: 0:04:16
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Tambourine
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Knee Length Skirt'

Recorded: 22nd November 2000, 7:38 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:38 PM, City Field Stadium, New York City, United States
25th November 2000, 7:38 PM, City Field Stadium, New York City, United States
Duration: 0:04:02
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1976 Fender Telecaster)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Close My Door'

Recorded: 22nd November 2000, 7:44 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:44 PM, City Field Stadium, New York City, United States
25th November 2000, 7:44 PM, City Field Stadium, New York City, United States
Duration: 0:04:45
Personnel: Torquil Dohrn — Backing vocal, Electric Rhythm Guitar (1973 Gibson SG Standard)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Lead vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1970 Gibson ES-355)

'Charlotte Wood'

Recorded: 22nd November 2000, 7:50 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:50 PM, City Field Stadium, New York City, United States
25th November 2000, 7:50 PM, City Field Stadium, New York City, United States
Duration: 0:04:04
Personnel: Torquil Dohrn — Lead vocal, Acoustic Lead Guitar (1965 Framus Hootenanny 5/024)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Bass Drums (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic Rhythm Guitar (1975 Gibson J-160E)

'Key Lime Pie'

Recorded: 22nd November 2000, 7:55 PM, City Field Stadium, New York City, United States
23rd November 2000, 7:55 PM, City Field Stadium, New York City, United States
25th November 2000, 7:55 PM, City Field Stadium, New York City, United States
Duration: 0:03:38
Personnel: Torquil Dohrn — Lead vocal, Semi-Acoustic Lead Guitar (1970 Gibson L-5)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Lead vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic-Electric Rhythm Guitar (1975 Gibson J-160E)

'Magpie'

Recorded: 22nd November 2000, 8:00 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:00 PM, City Field Stadium, New York City, United States
25th November 2000, 8:00 PM, City Field Stadium, New York City, United States
Duration: 0:03:28
Personnel: Torquil Dohrn — Backing vocal, Bassline on Electric Guitar (1976 Fender Telecaster)
Milford Ekdahl — Skulls (Wood on Metal)
Peter McDonald — Backing vocal, Acoustic Rhythm Guitar (1974 Gibson J-200)
Devon O'Connell — Bongo Drums
Sam Whitby — Lead vocal, Acoustic Lead Guitar (1975 Martin D-28)

'Celtic Dash'

Recorded: 22nd November 2000, 8:05 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:05 PM, City Field Stadium, New York City, United States
25th November 2000, 8:05 PM, City Field Stadium, New York City, United States
Duration: 0:03:51
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)
Milford Ekdahl — Accordion
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'The Caravan Song'

Recorded: 22nd November 2000, 8:10 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:10 PM, City Field Stadium, New York City, United States
25th November 2000, 8:10 PM, City Field Stadium, New York City, United States
Duration: 0:03:31
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1976 Fender Telecaster)
Milford Ekdahl — Electric Piano (1970 Fender Rhodes)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'I'm Nothing Without You Girl'

Recorded: 22nd November 2000, 8:16 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:16 PM, City Field Stadium, New York City, United States
25th November 2000, 8:16 PM, City Field Stadium, New York City, United States
Duration: 0:04:13
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1965 Mosrite Ventures II)
Milford Ekdahl — Percussion
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic Rhythm Guitar (1975 Gibson J-160E)

'A Girl's Mind'

Recorded: 22nd November 2000, 8:21 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:21 PM, City Field Stadium, New York City, United States
25th November 2000, 8:21 PM, City Field Stadium, New York City, United States
Duration: 0:04:10
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1973 Gibson SG Standard)
Milford Ekdahl — Lowrey Organ (1965 DSO Heritage)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Lead vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Electric Rhythm Guitar (1976 Fender Telecaster)

'I Love You Girl'

Recorded: 22nd November 2000, 8:27 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:27 PM, City Field Stadium, New York City, United States
25th November 2000, 8:27 PM, City Field Stadium, New York City, United States
Duration: 0:04:06
Personnel: Torquil Dohrn — Lead vocal, Electric Rhythm Guitar (1965 Mosrite Ventures II)
Milford Ekdahl — Lowrey Organ (1965 DSO Heritage)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Electric Lead Guitar (1974 Gibson Les Paul Custom)

'Shannon'

Recorded: 22nd November 2000, 8:32 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:32 PM, City Field Stadium, New York City, United States
25th November 2000, 8:32 PM, City Field Stadium, New York City, United States
Duration: 0:04:25
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Lead vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Pete's Post'

Recorded: 22nd November 2000, 8:38 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:38 PM, City Field Stadium, New York City, United States
25th November 2000, 8:38 PM, City Field Stadium, New York City, United States
Duration: 0:03:45
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1960 Gibson Les Paul Standard)
Milford Ekdahl — Backing vocal, Lowrey Organ (1965 DSO Heritage)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic-Electric Rhythm Guitar (1975 Gibson J-160E)

'Moolah Mogul'

Recorded: 22nd November 2000, 8:43 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:43 PM, City Field Stadium, New York City, United States
25th November 2000, 8:43 PM, City Field Stadium, New York City, United States
Duration: 0:03:24
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Lead vocal, Electric Bass Guitar (1971 Fender Jazz)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Acoustic-Electric Rhythm Guitar (1975 Gibson J-160E)

'Jeanie-Lee'

Recorded: 22nd November 2000, 8:48 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:48 PM, City Field Stadium, New York City, United States
25th November 2000, 8:48 PM, City Field Stadium, New York City, United States
Duration: 0:04:27
Personnel: Torquil Dohrn — Lead vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Backing vocal, Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Electric Bass Guitar (1970 Rickenbacker 4001S)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Vicky-Li'

Recorded: 22nd November 2000, 8:55 PM, City Field Stadium, New York City, United States
23rd November 2000, 8:55 PM, City Field Stadium, New York City, United States
25th November 2000, 8:55 PM, City Field Stadium, New York City, United States
Duration: 0:03:58
Personnel: Torquil Dohrn — Backing vocal, Semi-Acoustic Lead Guitar (1970 Gretsch 6076)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1970 Gretsch 6187 Viking)

'Think'

Recorded: 22nd November 2000, 9:01 PM, City Field Stadium, New York City, United States
23rd November 2000, 9:01 PM, City Field Stadium, New York City, United States
25th November 2000, 9:01 PM, City Field Stadium, New York City, United States
Duration: 0:03:18
Personnel: Peter McDonald — Vocal, Acoustic Rhythm Guitar (1970 Epiphone Texan)
Sam Whitby — Synthesiser (1998 Korg Z1)

'Moonlight Bay'

Recorded: 22nd November 2000, 9:06 PM, City Field Stadium, New York City, United States
23rd November 2000, 9:06 PM, City Field Stadium, New York City, United States
25th November 2000, 9:06 PM, City Field Stadium, New York City, United States
Duration: 0:04:39
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1976 Fender Telecaster)
Milford Ekdahl — Minimoog (1979)
Peter McDonald — Backing vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Lead vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Salt 'n' Pepper Suite'

Recorded: 22nd November 2000, 9:13 PM, City Field Stadium, New York City, United States
23rd November 2000, 9:13 PM, City Field Stadium, New York City, United States
25th November 2000, 9:13 PM, City Field Stadium, New York City, United States
Duration: 0:03:50
Personnel: Torquil Dohrn — Backing vocal, Electric Lead Guitar (1978 Fender Stratocaster)
Milford Ekdahl — Synthesiser (1998 Korg Z1)
Peter McDonald — Lead vocal, Semi-Acoustic Bass Guitar (1979 Höfner 500/1 Violin)
Devon O'Connell — Backing vocal, Drum Kit (1970 Ludwig Hollywood)
Sam Whitby — Backing vocal, Semi-Acoustic Rhythm Guitar (1978 Epiphone Casino)

'Waltz of Scotland'

Recorded: 22nd November 2000, 9:18 PM, City Field Stadium, New York City, United States
23rd November 2000, 9:18 PM, City Field Stadium, New York City, United States
25th November 2000, 9:18 PM, City Field Stadium, New York City, United States
Duration: 0:04:17
Personnel: Torquil Dohrn — Great Highland Bagpipes
Milford Ekdahl — Backing vocal, Electric Rhythm Guitar (1960 Gibson Les Paul Standard)
Peter McDonald — Lead vocal, Acoustic Rhythm Guitar (1975 Martin D-28)
Devon O'Connell — Backing vocal, Military Snare Drums
Sam Whitby — Backing vocal, Military Bass Drums

23rd November 2000

The second big night for the band members of Cherry Beat. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 36 songs on their own without any participation from session musicians. Four tracks from their recent album Paintball Arena would be played along with 32 tracks from earlier albums.

25th November 2000

The third and final big night for the band members of Cherry Beat. Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Milford Ekdahl would play live in New York City. They would play a total of 36 songs on their own without any participation from session musicians. Four tracks from their recent album Paintball Arena would be played along with 32 tracks from earlier albums.

5th January 2001

Album Release — Live in New York City

Live in New York City — Album

Released: 5th January 2001
Recorded: 22nd – 25th November 2000, City Field Stadium, New York City, United States
Duration: 1:08:46 [Disc 1]
1:11:49 [Disc 2]
Genre: Pop Rock, Rock Music, Rock and Roll
Label: Moonlight Bay Records
Producer: Gregory Dogan
Track Listing — Disc One: 'Shake, Rattle and Die'
'Can't Stop the Jive'
'Rock and Roll Theme'
'Missile Line 01-1-10'
'Rock It!'
'Cocoa Star Rookies'
'Shake Little Baby'
'Club Knight'
'Don't Listen to Her'
'Mochaccino Springs'
'Vibraphone Tombs'
'Chaos and Corruption'
'Paintball Attendant'
'Ocean Ripple'
'Charcoal Bubbles'
'Don't Count on Me'
'Ticket to Paris'
'Knee Length Skirt'
Track Listing — Disc Two: 'Close My Door'
'Charlotte Wood'
'Key Lime Pie'
'Magpie'
'Celtic Dash'
'The Caravan Song'
'I'm Nothing Without You Girl'
'A Girl's Mind'
'I Love You Girl'
'Shannon'
'Pete's Post'
'Moolah Mogul'
'Jeanie-Lee'
'Vicky-Li'
'Think'
'Moonlight Bay'
'Salt 'n' Pepper Suite'
'Waltz of Scotland'

15th January 2001

Milford Ekdahl brought his friend Wilbur Milardo over to the Moonlight Bay Studio on this day, and suggested to the other band members of Cherry Beat that they let him join as an additional keyboardist and percussionist. The band wasn't sure how long they could go without splintering again, like they did back in the early 1980's.

Knowing that a spare member would be beneficial, should any of the traditional members choose to leave the band, the others agreed to let Wilbur Milardo join. Of course, they did give Wilbur a trial run to see if he would be a suitable addition to the band.

25th May 2001

Peter McDonald and his wife Elodia McDonald record a duet cover of 'Bip Bop' / 'Hey Diddle (I Want You Back)' [Medley] which itself was a duet by Paul and Linda McCartney. For 'Bip Bop' Elodia provided backing vocals and handclaps, while she provided harmony vocals for 'Hey Diddle'.

'Bip Bop' / 'Hey Diddle (I Want You Back)' [Medley]

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 25th May 2001, 2:37 PM, Peter and Elodia McDonald's Backyard, Oxford, Oxfordshire, England
Duration: 0:03:38
Genre: Acoustic Duet, Bluegrass Music
Label: Moonlight Bay Records
Author: Linda McCartney, Paul McCartney
Producer: Elodia McDonald, Peter McDonald
Personnel: Peter McDonald — Lead vocal, Acoustic Lead Guitar / Acoustic Rhythm Guitar (1975 Martin D-28)
Elodia McDonald — Harmony vocal, Backing vocal, Handclaps

28th July 2001

The band recorded vocals for what would become a cover of the traditional Anglo-American song 'Yankee Doodle'. This would be the first Cherry Beat recording to feature Wilbur Milardo as a band member.

'Yankee Doodle'

Album: Paintball Arena [2004 Compact Disc Reissue]
Released: 25th July 2004
Recorded: 28th July 2001, 3:35 PM, Moonlight Bay Studios, Oxford, Oxfordshire, England
19th August 2001, 2:45 PM, Oxford Studios, Oxford, Oxfordshire, England [13]
25th August 2001, 1:31 PM, Oxford Studios, Oxford, Oxfordshire, England [14]
25th August 2001, 4:56 PM, Faringdon Golf Course, Oxfordshire, England [15]
Duration: 0:02:15
Genre: Folk Music
Label: Moonlight Bay Records
Author: Traditional, arranged by Gregory Dogan
Producer: Gregory Dogan, Sam Whitby
Personnel: Torquil Dohrn — Backing vocal, Alto Saxophone [16], B♭ Clarinet (Boehm System) [17]
Milford Ekdahl — Backing vocal, Cymbals (1970 Zildjian) [18]
Peter McDonald — Backing vocal, B♭ Trumpet [19]
Wilbur Milardo — Backing vocal, Cymbals (1970 Zildjian) [20]
Devon O'Connell — Backing vocal, Bass Drums (1970 Ludwig Hollywood) [21]
Sam Whitby — Lead vocal, Snare Drums (1970 Ludwig Hollywood) [22]
Floyd Backley — Cornet [23]
Randolph Canchola — Euphonium [24]
Wilburn Charboneau — Tenor Trombone [25]
Eusebio Fenlon — Tuba [26]
Kayla Haycock — French Horn [27]
Alexis Hinnant — Euphonium [24]
Teodoro Orterga — Tenor Trombone [25]
Michaele Palafox — Sousaphone [28]
Ty Pattillo — Concert Flute [29]
Corinne Roca — Euphonium [24]
Ivory Scanlon — Tuba [26]
Donny Warburton — Cornet [23]
Gaylord Whelpley — B♭ Trumpet [30]

6th August 2001

Album Release — Ultimate Singles Collection

A new greatest hits album was released on this day. It collected all the A and B-Sides of all the singles released by Cherry Beat. It is officially a greatest hits album, though in true sense, it is a compilation album.

While the instrumentation on all the mixes on this album are identical to those found on the singles, most of the mixes found on this album have the lead vocals and drums placed in the middle of the stereo picture, to give the album a more modernised sound and feel.

'Rainballs', 'Rights from Wrongs', and 'Moolah Mogul' are presented in their original mixes that were released on their respective singles, because the vocals and/or instruments frequently switched between channels, so remixing them would spoil the experimental feel of those three tracks.

The remixes of 'Mary-Anne', 'Diamonds and Cherries', 'Takin' a Ride for Money', 'Her', 'Nancy', 'Brown Haired Gorgeous Girl', and 'Charlotte Wood' are based on their single counterparts, so they don't feature the sleigh bells found on their counterparts that were released on Cherry Beat's Merry Christmas album.

'Moolah Mogul' is presented in its 1981 stereo single mix, without the harmony and backing vocals found on its counterpart that was released on the band's album 'X-Rayed'.

Ultimate Singles Collection — Album

Chart Position: #1 (UK Album)
#5 (US Album)
Released: 6th August 2001
Recorded: 8th May 1971 – 29th October 1976, Dohrn Studios, Oxford, Oxfordshire, England
20th July 1971, Peter McDonald's Home, Oxford, Oxfordshire, England
17th January 1974, Backyard Deck Outside, Dohrn Studios, Oxford, Oxfordshire, England
3rd April 1977 – 3rd January 1982, 4th January – 19th May 1999, Moonlight Bay Studios, Oxford, Oxfordshire, England
17th November 1977, Rose Hill, Oxford, Oxfordshire, England
9th June 1980 – 24th July 1981, Oxford Studios, Oxford, Oxfordshire, England
31st December 1981, Moonlight Bay Stadium, Oxford, Oxfordshire, England
Duration: 0:53:07 [Disc 1]
0:50:51 [Disc 2]
1:04:08 [Disc 3]
1:01:26 [Disc 4]
Genre: Hard Rock, Pop Rock, Power Pop, Rock and Roll
Label: Moonlight Bay Records (Disc 3: tracks 9 - 15, Disc 4: tracks 1 - 15), Sky Dive Records (Disc 1: tracks 1 - 14, Disc 2: tracks 1 - 14, Disc 3: tracks 1 - 8)
Producer: Gregory Dogan (Disc 4: tracks 9 - 15)
Torquil Dohrn (Disc 3: tracks 13)
Riley Ganz (Disc 3: tracks 9 - 12, 15, Disc 4: tracks 2 - 5, 7)
Chudley Maron (Disc 1: tracks 1 - 14, Disc 2: tracks 1 - 14, Disc 3: tracks 1 - 9, 11, 13 - 14, Disc 4: tracks 1)
Peter McDonald (Disc 3: tracks 14, Disc 4: tracks 1, 4 - 6, 8, 14 - 15)
Sam Whitby (Disc 3: tracks 15, Disc 4: tracks 7)
Track Listing — Disc One: 'Midnight Parade' [2001 Stereo Mix]
'Festival' [2001 Stereo Mix]
'Missile Line 01-1-10' [2001 Stereo Mix]
'Rainballs'
'Magpie' [2001 Stereo Mix]
'Rock It!' [2001 Stereo Mix]
'Club Knight' [2001 Stereo Mix]
'Shake Little Baby' [2001 Stereo Mix]
'The Ballad of Louise Starker' [2001 Stereo Mix]
'Love is the Power' [2001 Stereo Mix]
'Shake, Rattle and Die' [2001 Stereo Mix]
'Shake Those Hips' [2001 Stereo Mix]
'Cocoa Star Rookies' [2001 Stereo Mix]
'Sweet Amber, Sweet' [2001 Stereo Mix]
Track Listing — Disc Two: 'The Caravan Song' [2001 Stereo Mix]
'Can't Stop the Jive' [2001 Stereo Mix]
'Mary-Anne' [2001 Stereo Mix]
'Sexy Young Hips' [2001 Stereo Mix]
'Diamonds and Cherries' [2001 Stereo Mix]
'Takin' a Ride for Money' [2001 Stereo Mix]
'Sweet Little Suzie' [2001 Stereo Mix]
'Her' [2001 Stereo Mix]
'Shakin' Up the Seventies' [2001 Stereo Mix]
'Nancy' [2001 Stereo Mix]
'Brown Haired Gorgeous Girl' [2001 Stereo Mix]
'Charlotte Wood' [2001 Stereo Mix]
'Happy Christmas' [2001 Stereo Mix]
'A Christmas Tale' [2001 Stereo Mix]
Track Listing — Disc Three: 'Think' [2001 Stereo Mix]
'Jeep' [2001 Stereo Mix]
'Daymare' [2001 Stereo Mix]
'Chamber of Love' [2001 Stereo Mix]
'Don't Count on Me' [2001 Stereo Mix]
'Sybel Cannibals' [2001 Stereo Mix]
'Christmas Time (Is Finally Here)' [2001 Stereo Mix]
'Do the Ronde Ronde' [2001 Stereo Mix]
'Gold Digger' [2001 Stereo Mix]
'Do the Salsa' [2001 Stereo Mix]
'Waltz of Scotland' [2001 Stereo Mix]
'The Girl in the Heather' [2001 Stereo Mix]
'Let Us Ride' [2001 Stereo Mix]
'Vision of My Life' [2001 Stereo Mix]
'Treasure Hunt' [2001 Stereo Mix]
Track Listing — Disc Four: 'At the Station' [2001 Stereo Mix]
'Instant Carbonara' [2001 Stereo Mix]
'Key Lime Pie' [2001 Stereo Mix]
'I Don't Want to Be a Womaniser' [2001 Stereo Mix]
'Sick and Tired of Travelling' [2001 Stereo Mix]
'A World without Romance' [2001 Stereo Mix]
'Rights from Wrongs'
'Chaos and Corruption' [2001 Stereo Mix]
'Moolah Mogul' [1981 Stereo Single Mix]
'Moonlight Bay' [2001 Stereo Mix]
'Carnival' [2001 Stereo Mix]
'Pigeon Post' [2001 Stereo Mix]
'Cherry Tree' [2001 Stereo Mix]
'Mochaccino Springs' [1999 UK Stereo Mix]
'Ocean Ripple' [1999 UK Stereo Mix]

19th August 2001

Peter McDonald, Sam Whitby, Torquil Dohrn, Devon O'Connell, and Wilbur Milardo respectively record B♭ trumpet, snare drum, alto saxophone, bass drum, and cymbal overdubs to 'Yankee Doodle' on this day.

25th August 2001

Torquil Dohrn and Milford Ekdahl respectively record B♭ clarinet and cymbal overdubs for 'Yankee Doodle' at Oxford Studios on this day. Later on that day, a group of session musicians would record overdubs at the Faringdon Golf Course, since Cherry Beat felt the inside air was not suitable to record overdubs of a 'marching band'.

Randolph Canchola, Alexis Hinnant, and Corinne Roca played euphoniums, Michaele Palafox played the sousaphone, Eusebio Fenlon and Ivory Scanlon played tubas, Gaylord Whelpley played the B♭ trumpet, Floyd Backley and Donny Warburton played cornets, Ty Pattillo played the concert flute, Wilburn Charboneau and Teodoro Orterga played tenor trombones, and Kayla Haycock played the French horn.

References

  1. The mix released on the Cherry Beat Anthology 6 album omitted the lap steel guitar overdubs recorded on this day.
  2. The mix released on the Cherry Beat Anthology 6 album omits the lap steel guitar.
  3. The mix released on the Cherry Beat Anthology 6 album omitted the percussion overdubs recorded on this day.
  4. 4.0 4.1 The mix released on the Cherry Beat Anthology 6 album omits the percussion.
  5. The mix released on the Cherry Beat Anthology 6 album omitted the rhythm guitar overdubs recorded on this day.
  6. The mix released on the Cherry Beat Anthology 6 album omits the rhythm guitar.
  7. The mix released on the Cherry Beat Anthology 6 album omitted the electric spinet harpsichord and B♭ clarinet overdubs recorded on this day.
  8. The mix released on the Cherry Beat Anthology 6 album and the mix released on the Cherry Beat Anthology 7 album omitted the tenor trombone and tuba overdubs recorded on this day.
  9. The mix released on the Cherry Beat Anthology 6 album omits the B♭ clarinet.
  10. The mix released on the Cherry Beat Anthology 6 album and the mix released on the Cherry Beat Anthology 7 album omit the tenor trombone.
  11. The mix released on the Cherry Beat Anthology 6 album omits the electric spinet harpsichord.
  12. The mix released on the Cherry Beat Anthology 6 album and the mix released on the Cherry Beat Anthology 7 album omit the tuba.
  13. The first mix released on the Cherry Beat Anthology 7 album omitted the B♭ trumpet, snare drum, alto saxophone, bass drum, and cymbal overdubs recorded on this day.
  14. The first and second mixes released on the Cherry Beat Anthology 7 album omitted the B♭ clarinet and cymbal overdubs recorded on this day.
  15. The mixes released on the Cherry Beat Anthology 7 album omitted the euphonium, sousaphone, tuba, B♭ trumpet, cornet, concert flute, tenor trombone, and French horn overdubs recorded on this day.
  16. The first mix released on the Cherry Beat Anthology 7 album omits the alto saxophone.
  17. The first and second mixes released on the Cherry Beat Anthology 7 album omit the B♭ clarinet.
  18. The first and second mixes released on the Cherry Beat Anthology 7 album omit the cymbals.
  19. The first mix released on the Cherry Beat Anthology 7 album omits the B♭ trumpet.
  20. The first mix released on the Cherry Beat Anthology 7 album omits the cymbals.
  21. The first mix released on the Cherry Beat Anthology 7 album omits the bass drums.
  22. The first mix released on the Cherry Beat Anthology 7 album omits the snare drums.
  23. 23.0 23.1 The mixes released on the Cherry Beat Anthology 7 album omit the cornet.
  24. 24.0 24.1 24.2 The mixes released on the Cherry Beat Anthology 7 album omit the euphonium.
  25. 25.0 25.1 The mixes released on the Cherry Beat Anthology 7 album omit the tenor trombone.
  26. 26.0 26.1 The mixes released on the Cherry Beat Anthology 7 album omit the tuba.
  27. The mixes released on the Cherry Beat Anthology 7 album omit the French horn.
  28. The mixes released on the Cherry Beat Anthology 7 album omit the sousaphone.
  29. The mixes released on the Cherry Beat Anthology 7 album omit the concert flute.
  30. The mixes released on the Cherry Beat Anthology 7 album omit the B♭ trumpet.
Loading comments...